Artistic Director’s Welcome
Welcome to the 45th Season at the A.R.T.!
I am thrilled to welcome you to the final production of our 2024/25 Season: Two Strangers (Carry a Cake Across New York), the hit musical comedy by Jim Barne and Kit Buchan that comes to the A.R.T. after a triumphant run in London.
Before captivating audiences at the Criterion Theatre in the West End, Two Strangers had an acclaimed run at the Kiln Theatre—the same theater we partnered with to bring The Wife of Willesden to the A.R.T. in 2023. I had the opportunity to see Two Strangers in London and knew our audiences would fall in love with it.
I am excited for director and choreographer Tim Jackson to make his A.R.T. debut alongside scenic and costume designer Soutra Gilmour, sound designer Cody Spencer, orchestrator Lux Pyramid, music supervisor Nick Finlow and music director Jeffrey Campos, who are all working on our stage for the first time. Returning to the A.R.T. are lighting designer Jack Knowles (Barber Shop Chronicles), sound designer Tony Gayle (Gatsby), and hair, wig and make-up designer Earon Chew Nealey (Diary of a Tap Dancer).
In collaboration with our creative and engagement teams, we develop an Essential Question for every production that we stage, which we share with our audiences, our students, our staff, and our community. For Two Strangers, we invite you to consider the following: We all tell ourselves stories about our own lives. Why do we need these stories? Which ones help us, and which ones hold us back?
Two Strangers encourages us to believe in the power of connection, even among strangers—an experience which is at the heart of coming together as an audience in the theater.
Thank you for taking the journey with us, and joining us at the A.R.T.!
Diane Paulus
Terrie and Bradley Bloom Artistic Director
American Repertory Theater
Terrie and Bradley Bloom Artistic Director:
Diane Paulus
Executive Director:
Kelvin Dinkins, Jr.
presents
TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK)
Creative Team
A Kiln Theatre Production
First performance at the Loeb Drama Center on May 20, 2025.
Production support of Two Strangers (Carry a Cake Across New York) is provided by The Linda Hammett Ory & Andrew Ory Charitable Trust and Katie and Paul Buttenwieser.
Media Support of Two Strangers (Carry a Cake Across New York) is provided by WBUR.
A.R.T. Season support is provided by Harvard University, The Barr Foundation, The Bob and Alison Murchison New Work Development Fund, The Shubert Foundation, National Endowment for the Arts, Massachusetts Cultural Council, Barton & Guestier, and Meyer Sound.
The A.R.T. 2024/25 Season is supported in part by the Massachusetts Cultural Council, which receives support from the Commonwealth of Massachusetts and the National Endowment for the Arts.
Runtime: Two hours and ten minutes, including one fifteen-minute intermission
This production contains haze, fog, and flashing lights.
Company & Staff
Cast (in Alphabetical Order)
Robin
Christiani Pitts
Robin
Christiani Pitts
A.R.T.: Debut. Broadway: King Kong (Ann Darrow), Broadway Theatre; A Bronx Tale (Jane), Longacre Theatre. Developmental Lab: Aida (Aida); Clueless the Musical (Dionne). Film/
Actors’ Equity Association member
Dougal
Sam Tutty
Dougal
Sam Tutty
A.R.T.: Debut. West End: Two Strangers (Carry a Cake Across New York) (Dougal), Criterion Theatre; Dear Evan Hansen (Evan; Olivier Award for Best Actor in a Musical), Noël Coward Theatre. Off-West End: Two Strangers (Carry a Cake Across New York) (Dougal), The Kiln Theatre; Once On This Island (Daniel), Southwark Playhouse. Workshops: Bliss (Prince Devin), Lillian Bayliss Studio, Sadler’s Wells. Film: Four Minute Warning, Romeo & Juliet.
Actors’ Equity Association member
Understudy for Robin
Phoenix Best
Understudy for Robin
Phoenix Best
A.R.T.: Macbeth In Stride (Witch). Broadway: Dear Evan Hansen (Alana Beck), Music Box Theatre; Les Misérables (Eponine); The Color Purple (Swing). Off-Broadway: Teeth (Promise Keeper Girl Fiona), The Judy Theater. Regional: Dreamgirls (Deena Jones), TUTS; Oklahoma! (Ellen), King Henry VIII (Patience), Cinderella (Cinderella), Beauty and the Beast (Penelope), Much Ado About Nothing (Beatrice), A Midsummer Night’s Dream (Puck/
Understudy for Dougal
Vincent Michael
Understudy for Dougal
Vincent Michael
A.R.T.: Debut. Off-Broadway: Safety Not Guaranteed, BAM. Regional: RENT, The MUNY; Mystic Pizza, Paper Mill Playhouse; Private Jones, Goodspeed Musicals; Private Jones, Into the Woods, RENT, Assassins (Helen Hayes nomination), A Chorus Line, Gypsy, Grand Hotel, Billy Elliot, Jesus Christ Superstar, Miss Saigon, Signature Theatre (DC); The 25th Annual Putnam County Spelling Bee, Ford’s Theatre; The Nutcracker, Round House Theatre; Kinky Boots, Grease, Joseph…Dreamcoat, OTC; Spring Awakening, Keegan Theatre; The Greenwood Tree, Latino Inaugural Awards, The Kennedy Center; Horatio Alger Awards, DAR Constitution Hall; Gilded, Capital Fringe Festival. TV: “A Capitol Fourth.” Education: B.M., CUA.
Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance.
Musicians
Additional Staff
Access Staff
A.R.T. Staff
Terrie and Bradley Bloom Artistic Director:
Diane Paulus
Executive Director:
Kelvin Dinkins, Jr.
SENIOR STAFF
Director of Facilities and Capital Projects: Peter Atkinson
Public Relations Director: Rebecca Curtiss
General Manager: Connor Davis
Managing Director: Anna Fitzloff
Executive Administrator: Kathleen Fowkes
Director of Finance: Julia Goldmacher
Senior Theater and Facilities Manager: Tracy Keene
Chief Development Officer: Eileen Kennedy
Director of Production: Krystin Matsumoto
Director of Artistic Programs & Dramaturg: Ryan McKittrick
Associate Artistic Director: Dayron J. Miles
Producer: Evan O’Brient
Chief Marketing Officer: Jennifer Weissman
STAFF
Artistic & EngagementArtistic Coordinator & Special Assistant to the Artistic Director: Karina Cowperthwaite ProducingAssociate Producer: Emma Watt Marketing & CommunicationsAssociate Director, Creative Services: Joel Zayac DevelopmentAssociate Director, Institutional Giving: Anna Cline FacilitiesAssistant Project Manager: Alex Giorgetti FinanceController: Toufiq Aitelfqih Patron ServicesHead of Patron Services: Emma Putnam |
ProductionProduction Manager: Skip Curtiss ScenicAssistant Technical Director: Victor Gutierrez PaintCharge Scenic Artist: Gerard Vogt Stage OperationsStage Operations Manager: Kevin Belcher CostumesCostume Manager: Muriel Mangual-Bennett WardrobeWardrobe Manager: Alycia Marucci SoundSound Manager: Camilo Atehortua LightingLighting and Projections Supervisor: Matthew Adelman PropertiesProperties Manager: Erin Kehr Production OverhireScenic Carpenters: Thomas Eckenfels |
Special Thanks
Rehearsed at The Huntington Theatre and the Boston Center for the Arts
Lighting and Additional Sound Equipment provided by PRG
Star Drop provided by Rose Brand
Rehearsal automation provided by Creative Conners
This musical was first produced by the Royal & Derngate Northampton and New Wolsey Ipswich when it was called “The Season”. This musical was developed through the Stiles and Drewe MTI Mentorship Award Excerpts from an earlier version of this musical were presented at BEAM2018, supported by Mercury Musical Developments and Musical Theatre Network
The actors and stage managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States.
The director and choreographer of this production are members of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union.
United Scenic Artists represents the designers and scenic painters for the American Theatre.
The musicians employed in this production are members of the American Federation of Musicians.
Musical Numbers
Act I
Overture
New York
Dad
What’ll It Be
On the App
This Is the Place
Under the Mistletoe
Be Happy
American Express
Act II
Entr’acte
The Hangover Duet
He Doesn’t Exist
What Did You Say?
About to Go In
This Year
Dearly Beloved
If I Believed
Explore
Audience Support Resources
We recognize that our productions may unintentionally activate distressing and/or traumatic memories of past experiences in our audience members These resources are curated by Dr. Charmain Jackman through a culturally responsive and trauma-informed lens.
See Resources
We recognize that our productions may unintentionally activate distressing and/or traumatic memories of past experiences in our audience members These resources are curated by Dr. Charmain Jackman through a culturally responsive and trauma-informed lens.
See Resources