The Snow Queen

Adapter

A.R.T.: Prometheus Bound (assistant-dramaturg). A.R.T. Institute: Neighborhood 3: Requisition of Doom (dramaturg). In Chicago: dramaturg on Curse of the Starving Class, Polaroid Stories, Heloise and Abelard, The Helpless Doorknob. Adaptor on The New Tenant and Gone Flyin’ (performed at City Lit Theatre’s Art of Adaptation Festival). Upcoming: adapter of Tales of Poe at New Rep Theatre.

A.R.T.: Futurity: A Musical by The Lisps (Japhy), As You Like It (Duke Senior), The Snow Queen (Grandfather), The Donkey Show (DJ). A.R.T. Institute: Nutcracker Turbo (and Other Love Stories). Theater: Montana Repertory, Montana Shakespeare in the Parks, Colorado Shakespeare. Michael received a B.F.A. at the University of Montana and is a graduate of the A.R.T./MXAT Institute for Advanced Theater Training at Harvard University.

A.R.T.: The Snow Queen, Cabaret, Sleep No More, Alice vs. Wonderland, Trojan Barbie, Copenhagen, No Man’s Land, The Keening. A.R.T. Institute: I Speak, Therefore I Am; Hamletmachine; Ajax in Iraq; Abigail’s Party. Other work: Punchdrunk/Emursive’s Sleep No More NYC (OBIE Award Special Citation for Design); Commonwealth Shakespeare Company: Othello, The Comedy of Errors (Elliot Norton Award for Outstanding Costume Design); Dead Man’s Cell Phone, Lyric Stage; The Woman in Black, Gloucester Stage. David also designed Amanda Palmer Goes Down Under tour costume and directed/designed Juan Son’s Mermaid Sashimi Tour in Mexico. Music Video Art Direction: Juan Son’s Mermaid Sashimi (Universal Music); Porter’s Host of a Ghost (Universal Music, Tercer Piso Records).

Costume Designer

A.R.T. Institute: Tough Titty, I Speak Therefor I Am, Trojan Women, Neighborhood 3: Requisition of Doom, Drums in the Nights, History of the American Film, The Skin of our Teeth, Sexual Perversity in Chicago, Seriously Funny. Regional credits: Broke-ology, The 25^th Annual Putnam County Spelling Bee, Lady Day at Emerson’s Bar and Grill, Shipwrecked!, Speech and Debate, The Year of Magical Thinking, The Lyric Stage Company; The Hound of the Baskervilles, Central Square Theater; Measure for Measure, UMass Lowell. She currently serves as the wardrobe supervisor for Emerson Stage and is a graduate of Emerson College where she earned her B.F.A in Design Technology.

Lighting Designer

A.R.T. (Lighting Assistant): Once, Prometheus Bound, Ajax, R. Buckminster Fuller, The Blue Flower. A.R.T. Institute: Ladybird. When not designing lights, Kirsten performs comedy at the Improv Asylum in the North End and folk music. 

A.R.T.: The Light Princess (A.R.T. and New Victory Theater), The Snow Queen, Hansel and Gretel. Recent work: Isabella Stewart Gardner Museum (Production Manager); Santa Fe Opera Company (Titles Administrator); Brown University/ Trinity Rep (Sound Design Artist in Residence); OBERON (Head of Sound). Aaron is currently the Associate Director of Production at the Sheen Center for Thought and Culture, a new venue and organization on Bleecker Street in NoHo.

A.R.T.: Stage Manager: HEAR WORD!; Burn All Night; Notes from the Field: Doing Time in Education; 1984; O.P.C.; The Shape She Makes; The Donkey Show. Assistant Stage Manager: Bedlam's Sense & Sensibility; The Night of the Iguana; Fingersmith; RoosevElvis; Kansas City Choir Boy; Natasha, Pierre & The Great Comet of 1812; The Heart of Robin Hood; All the Way; The Glass Menagerie; The Lily’s Revenge; Once. Production Associate: Prometheus Bound; The Blue Flower; Cabaret. Education/Training: Graduate of Boston University (Summa cum laude) College of Fine Arts.

A.R.T.: The Snow Queen (Assistant Director/Choreographer). A.R.T. Institute: Tough Titty(Imani). Milwaukee Repertory Theater(member for five years. Actor/Choreographer): The Night is a Child; I Have Before Me A Remarkable Document Given To Me By A Young Lady From Rwanda; The Crucible; Eurydice; King Lear; Gem of the Ocean; The Glass Menagerie; Intimate Apparel; Lady Windermere's Fan; Yes. No (Maybe So); You Can't Take It With You; I Just Stopped By To See The Man. Regional: Julius Ceasar, A Midsummer Night's Dream, Shakespeare Santa Cruz; Cry The Beloved Country, I Know Why The Caged Bird Sings, Book-It Repertory Theatre: Shock Brigade: Women in Combat, Baby Yaga, Black Sci-fi Festival; Seattle Repertory Theatre; Goodman Theatre; Lookingglass Theater; Film: "Chrysanthemum" (Nurse), "Discovery World Secret Labs" (Abigail Adams). Lanise studied at the British American Drama Academy in Oxford England and received a B.F.A. in Theater at Cornish College of the Arts. Currently a second-year student at the A.R.T./MXAT Institute for Advanced Theater Training.

Liana Stillman received an MFA from The Graduate Musical Theatre Writing Program at NYU's Tisch School of the Arts and a BA from Sarah Lawrence College. She is currently a second-year at the ART/MXAT Institute for Advanced Theater Training at Harvard University.

Liana Stillman received an MFA from The Graduate Musical Theatre Writing Program at NYU's Tisch School of the Arts and a BA from Sarah Lawrence College. She is currently a second-year at the ART/MXAT Institute for Advanced Theater Training at Harvard University.