Evita

May 17, 2023 - Jul 30, 2023
Loeb Drama Center
Run Time: 2 hours and 15 minutes, including one intermission

Recommended for eighth grade and up.

Run Time

2 hours and 15 minutes, including one intermission

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Press Coverage
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Exceptional! A new generation’s take on ‘Evita.’

The Boston Globe

Andrew Lloyd Webber and Tim Rice’s Tony Award-winning rock opera Evita follows the adored and reviled Eva Perón’s meteoric rise from an impoverished childhood to first lady of Argentina until her death at 33. Directed by Sammi Cannold (Forbes’ 30 Under 30 Hollywood & Entertainment, Endlings, Violet), this eagerly anticipated revival featuring unforgettable songs including “Buenos Aires” and “Don’t Cry for Me Argentina” explores how we make sense of contradictions in legacy.

This production includes haze, prop firearms, occasional strong language, and stylized violence and sexuality.

Lyrics by Tim Rice
Music by Andrew Lloyd Webber
Directed by Sammi Cannold
Choreographed by Emily Maltby and Valeria Solomonoff
Produced in association with Shakespeare Theatre Company
Produced by arrangement with The Really Useful Group

Notable dates

Opening Night: 5/25
Momentos de Tango: 6/17 & 7/8 at 4:30PM
ASL Interpreted: 6/28 at 7:30PM & 7/2 at 2PM
Audio Described: 6/22 at 7:30PM & 6/24 at 2PM
Open Captioned: 6/22 at 7:30PM & 6/24 at 2PM
Relaxed: 6/25 at 2PM

Listen to Pre-Show Audio Description

Production Sponsor
Fay and Bill Shutzer

Additional Choreography Residency Support
Andy and Mariann Youniss

COVID-19 Protocols

Masks are optional but encouraged. Stay informed about our full policies.

Accessibility

Find out about our theater’s accessibility.

Ticketing Policies

Learn about our ticketing policies and discounts, including for seniors, EBT cardholders, students, and audience members under 25.

Content Key

Language 3 out of 5
Violence 4 out of 5
Sexuality 4 out of 5
Substance Use 2 out of 5

Ticket Offers

Rush

$30 rush tickets may be made available in person the day of the performance, as inventory allows due to returns. Check back daily!

Take Five

MAY 17 – JUN 30
$5 Tickets

Take Five invites community members who feel attending theater is financially out of reach or want to take a chance on something new to experience the A.R.T. with a $5 ticket. These tickets are sold out for Evita.

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All Discounts

Standard tickets start at $30, and discounts are available to students and ticket-buyers under the age of 25, Blue Star families, EBT card holders, seniors, Harvard faculty and staff, and others.

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Photos & Videos

Shereen Pimentel as Eva standing on steps covered in white flowers.

The Responsibility of the Storyteller

Press Coverage

Reviews

The Company of Evita stands in front of a large flag of Argentina.

METRMag

Incredible staging and extraordinary talent. Under the direction of Sammi Cannold, the A.R.T. production totally gets it right. A must-see experience.

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Incredible staging and extraordinary talent. Under the direction of Sammi Cannold, the A.R.T. production totally gets it right. A must-see experience.

Read full article

Shereen Pimentel (Eva) sings on a pedestal in a white dress, while company members watch with their arms raised.

The Boston Globe

Exceptional! A new generation’s take on “Evita.” Pimentel is dazzling…[she] seizes the role of Eva with impressive confidence and brio.

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Exceptional! A new generation’s take on “Evita.” Pimentel is dazzling…[she] seizes the role of Eva with impressive confidence and brio.

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Shereen Pimentel as Eva standing on stage on steps covered in white flowers while the audience looks on.

Broadway World

Stirring and gloriously sung.

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Stirring and gloriously sung.

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Caesar Samayoa as Perón speaks into a microphone, gesturing dramatically while Caleb Marshall-Villarreal, and Shereen Pimentel (Eva) look on.

EDGE Boston

An electrifying revival. It’s impossible not to be seduced.

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An electrifying revival. It’s impossible not to be seduced.

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Naomi Serrano (Mistress) kneels on the ground, holding on to a suitcase.

Boston Public Radio

Gorgeous. Exquisite. This gave me an understanding of this character in a way that I hadn’t had before. I really really enjoyed it.

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Gorgeous. Exquisite. This gave me an understanding of this character in a way that I hadn’t had before. I really really enjoyed it.

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GBH

[Shereen Pimentel’s] voice could literally cut through diamonds, and it’s the most effortless I have ever heard the role sung,

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[Shereen Pimentel’s] voice could literally cut through diamonds, and it’s the most effortless I have ever heard the role sung,

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The company of Evita poses around Shereen Pimentel (Eva), gesturing towards her dramatically.

Slow Muse

Cannold has assembled a truly phenomenal team

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Cannold has assembled a truly phenomenal team

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On Boston Stages

A spectacular new “Evita” for the present.

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A spectacular new “Evita” for the present.

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Shereen Pimentel as Eva standing in the spotlight with her arms outstretched while cast members look on.

Joyce’s Choices

A splendid production and killer cast. Shereen Pimentel’s voice and presence anchor this exceptional mounting.

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A splendid production and killer cast. Shereen Pimentel’s voice and presence anchor this exceptional mounting.

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The company of Evita sings on stage, standing in small groups. They are framed by red lights and a white dress hangs overhead.

Theater Mirror

Riveting! Savvy direction, spectacularly staged. A.R.T.’s spectacular ‘Evita’ raises the bar…a feast for all the senses. Highly recommended.

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Riveting! Savvy direction, spectacularly staged. A.R.T.’s spectacular ‘Evita’ raises the bar…a feast for all the senses. Highly recommended.

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Ensemble members dance on stage with arms outstretched and one leg lifted in the air.

Talkin’ Broadway

An excellent ensemble gives life to the lush Lloyd Webber choruses and Emily Maltby and Valeria Solomonoff’s sensual tango-infused choreography.

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An excellent ensemble gives life to the lush Lloyd Webber choruses and Emily Maltby and Valeria Solomonoff’s sensual tango-infused choreography.

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Shereen Pimentel (Eva) kneels in front of Sky Vaux Fuller (Child), holding her hand..

Boston Arts Diary

Exuberant and entertaining, a beautifully sung and choreographed revival.

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Exuberant and entertaining, a beautifully sung and choreographed revival.

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Stage and Cinema

[Sammi Cannold’s direction has] a fascinating concept that brings new life to an oft-produced show.

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[Sammi Cannold’s direction has] a fascinating concept that brings new life to an oft-produced show.

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Features

WBZ CBS Boston

Updated version of Evita comes to A.R.T.

The production aims to give audiences a truer look at the late first lady of Argentina Eva Peron, who died from cancer at age 33. While the A.R.T.’s version doesn’t change the music or dialogue, it makes the intentions of the characters clearer.

Shereen Pimentel stands proudly surrounded by the ensemble, as Omar Lopez-Cepero kneels in front of her with his hands clasped in prayer.

The Boston Globe

In the revival of ‘Evita’, a tango between the two sides of Eva Perón

Audiences have long since become familiar with the show’s touchstones: Eva’s glittering white strapless Dior ball gown, her blonde bun, her sparkling earrings and diamond necklace, her arms raised in triumph. But [Director Sammi] Cannold wanted to capture the human behind the icon, dig into the character’s contradictions and create empathy for Evita, despite her flaws.

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Caleb Marshall-Villarreal and Adrienne Balducci embraced in a turn as other members of the cast tango behind them.

The Bay State Banner

‘Evita’ revival debuts at A.R.T.

Argentina’s legendary first lady Eva Perón has a life story that was always destined for the stage. From an impoverished childhood in the 1920s she found a passionate romance and became one of the most powerful figures in Argentine history, both beloved and reviled. Afro-Latina Broadway performer Shereen Pimentel, who plays Perón in the musical, didn’t know much about the character before this production. Now she’s a Perón expert.

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Harvard Magazine

Behind the Curtain of A.R.T.’s “Evita”

Though Evita first debuted in 1978, Cannold felt it had new relevance, especially given how the women’s movement has evolved in the decades since: “It’s a woman taking back her story after a man has told it for the entire time.”

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Silhouettes of people in front of a museum display featuring black and white images of Eva Peron, news clippings, and historic images.

GBH

Former Intern is Back to Direct ‘Evita’ at the American Repertory Theater

“I feel like I grew up with the A.R.T.,” she said, “and so to be coming home, so to speak, with the piece of art that means the most to me is very meaningful and full circle.”

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“I feel like I grew up with the A.R.T.,” she said, “and so to be coming home, so to speak, with the piece of art that means the most to me is very meaningful and full circle.”

Read full article

Shereen Pimentel standing in front of Buckingham Palace

The Boston Globe

Shereen Pimentel on playing Eva Perón, loving Disney, and dreaming of a beach vacation

When she was 9 years old, Shereen Pimentel made her debut on Broadway as young Nala in “The Lion King.” Fast forward more than a decade, and the Teaneck, N.J., native is coming to the American Repertory Theater to star in a revival of Andrew Lloyd Webber and Tim Rice’s Tony Award-winning musical “Evita.”

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Valeria Solomonoff, Derek Zagami, Sammi Cannold, and Emily Maltby stand in a rehearsal room.

NBC 10 Hub Today

Evita Playing at A.R.T. Through July 30

We are so excited to be here in Cambridge at the A.R.T. with this incredible, legendary score. We are so excited to be bringing it to Cambridge audiences.

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We are so excited to be here in Cambridge at the A.R.T. with this incredible, legendary score. We are so excited to be bringing it to Cambridge audiences.

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Explore

Director Sammi Cannold beside a table with items pertaining to Eva Perón: a doll, a booklet, and a small bust.

Beyond the Ballgown

In conversation with Diane Paulus, Sammi Cannold discusses her vision for the iconic musical and her eagerness to introduce Evita to a new generation of artists and audiences.

Co-Choreographer Valeria Solomonoff leads Martin Almiron in a tango step as Jonatan Lujan passes behind them.

Tango Is a Dramatic Vocabulary

Evita Co-Choreographer Valeria Solomonoff reflects on the process of partnering tango with musical theater.

Evita: A Timeline

A timeline of events surrounding the musical.

Evita Resource Guide

A compilation of resources to introduce you to Evita and to prepare and reflect on the production.

Trauma Responses: fight, flight, freeze, and fawn.

Resources for Healing

Harvard-trained psychologist Dr. Charmain Jackman offers support for audiences through a trauma-informed lens.

Learn More

Harvard-trained psychologist Dr. Charmain Jackman offers support for audiences through a trauma-informed lens.

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Digital Program

Learn about the collaboration of artists who created the show, as well as the staff, supporters, and partners who made it possible.

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Learn about the collaboration of artists who created the show, as well as the staff, supporters, and partners who made it possible.

Read Now

Essential Question

Icon or human. Villain or saint. Aggressor or victim.
Who was the woman inside the ballgown, and how can we make sense of contradictions in legacy?

A.R.T. leads with inquiry and believes in asking questions in a spirit of brave curiosity in a neverending journey of learning and growth. Ahead of each production, the creative team, company, and the Education & Engagement team develop one or more Essential Questions to guide work in the rehearsal room, onstage, and for engaging with audiences.