Artistic Director’s Welcome
Welcome to the 45th Season at the A.R.T.!
I have always wanted to direct a production of Romeo and Juliet. For years, the hate between the warring Capulets and Montagues felt dominant to me, and as a director, I found myself searching for the difference between these families that has resulted in their “ancient grudge.” But Shakespeare does not give us any details about this—in fact, all he tells us is that these two families are “both alike in dignity.” Re-reading the play in preparation for this process, a line Romeo says to Benvolio jumped out at me: “Here’s much to do with hate, but more with love.” It made me think: what if we didn’t look at Romeo and Juliet as a story about hate, but rather as a story about love?
One of the most inspiring collaborations I have ever had was with my colleague, Sidi Larbi Cherkaoui, when we worked together on Jagged Little Pill. I am thrilled to be partnering with him again as our choreographer and movement director for Romeo and Juliet. Together, we are collaborating with a creative team that includes a number of artists who are returning to the A.R.T.: Scenic Designer Amy Rubin (Gloria: A Life), Costume Designer Emilio Sosa (1776, ExtraOrdinary, The White Card, Father Comes Home From the Wars (Parts 1, 2 & 3), O.P.C., Witness Uganda, The Gershwins’ Porgy and Bess, Best of Both Worlds), Lighting Designer Jen Schriever (1776, Fingersmith, In the Body of the World), Sound Designer Daniel Lundberg (1776), and Hair, Wig, & Make-up designer J. Jared Janas (Jagged Little Pill, Father Comes Home from the Wars (Parts 1, 2 & 3), The Gershwins’ Porgy and Bess, The Tempest). We are excited to welcome Composer Alexandre Dai Castaing, who is making his A.R.T. debut.
In collaboration with our creative and Engagement teams, the A.R.T. develops an Essential Question for every production that we stage, which we share with our audiences, our students, our staff, and our community. For Romeo and Juliet, we invite you to engage with this question: In what ways do we define our lives through hatred? In what ways do we define our lives through love?
The act of coming to the theater is a chance to be together with others, and to listen with your heart.
Thank you for joining us, and for experiencing this story.
Diane Paulus
Terrie and Bradley Bloom Artistic Director
American Repertory Theater
Terrie and Bradley Bloom Artistic Director:
Diane Paulus
Executive Director:
Kelvin Dinkins, Jr.
presents
ROMEO AND JULIET
Creative Team
First performance at the Loeb Drama Center on August 31, 2024.
Production Support of Romeo and Juliet is provided by Janet and Irv Plotkin.
Media Support of Romeo and Juliet is provided by WBUR.
A.R.T. Season support is provided by Harvard University, The Barr Foundation, The Bob and Alison Murchison New Work Development Fund, The Shubert Foundation, National Endowment for the Arts, Massachusetts Cultural Council, Barton & Guestier, and Meyer Sound.
The A.R.T. 2024/25 Season is supported in part by the Massachusetts Cultural Council, which receives support from the Commonwealth of Massachusetts and the National Endowment for the Arts.
Runtime: Two hours and thirty minutes, including one intermission
This production depicts violence, stabbing, murder, and suicide, and contains haze.
Company & Staff
Cast (in Alphabetical Order)
Lord Capulet
Terence Archie
Lord Capulet
Terence Archie
(he/him) A.R.T.: Debut. Broadway: Company; Kiss Me, Kate; Rocky; Ragtime. Off-Broadway: Joan of Arc: Into the Fire, The Public Theater; 1776, Encores!; The Elaborate Entrance of Chad Deity, Second Stage; Romeo and Juliet, Classical Theatre of Harlem; Fredrick Douglass Free, GWC Peanut Price, Urban Stages. International: Rocky: Das Musical, Operettenhaus Hamburg. TV: “Power Book III: Raising Kanan,” “The Walking Dead: World Beyond,” “For Life,” “Elementary,” “Blue Bloods.” Education: BFA, Drama, North Carolina School of the Arts.
Actors’ Equity Association member
Prince
Jason Bowen
Prince
Jason Bowen
(he/him) A.R.T.: The Half-God of Rainfall. Broadway: The Play That Goes Wrong. Off-Broadway: The Half-God of Rainfall, NYTW/A.R.T.; Crumbs from the Table of Joy, Keen Company; Long Day’s Journey into Night, Audible Theater; Native Son, The Acting Co.; If Pretty Hurts…, Playwrights Horizons. Regional: Ma Rainey’s Black Bottom (IRNE Award for Best Actor, Drama), Huntington Theatre. TV/
Actors’ Equity Association member
Nurse
Sharon Catherine Brown
Nurse
Sharon Catherine Brown
(she/her) A.R.T.: Debut. Broadway: Days of Wine and Roses; Caroline, or Change; Head Over Heels; Dreamgirls. National Tour: A Night with Janis Joplin, Jekyll & Hyde, Rent, Dreamgirls (Effie; Helen Hayes Award). World Tour: The Music of Andrew Lloyd Webber. Workshops: Spunk, Yale Rep; Frank Wildhorn’s The Song of Bernadette. TV/
Actors’ Equity Association member
Lord Montague, Friar John
Bradley Dean
Lord Montague, Friar John
Bradley Dean
(he/him) A.R.T.: Debut. Broadway: A Little Night Music, Company, Spamalot, The Last Ship, Evita, The Phantom of the Opera, Man of La Mancha, Doctor Zhivago, Jane Eyre, Dear Evan Hansen. Off Broadway/
Actors’ Equity Association member
Benvolio
Brandon Dial
Benvolio
Brandon Dial
(he/him) A.R.T.: Debut. Off-Broadway: A Raisin in the Sun, The Public Theater. Regional: Abe Lincoln in Illinois, Photograph 51, Berkshire Theatre Group; Cymbeline, Much Ado About Nothing, Into the Woods, Hudson Valley Shakespeare Festival. Education: MFA: NYU Grad Acting.
Actors’ Equity Association member
Paris
Adi Dixit
Paris
Adi Dixit
(he/him) A.R.T: Life of Pi. Broadway: Life of Pi. TV: “Young Sheldon.” Film: Sweethearts. Education: BFA, Acting, University of Southern California.
Actors’ Equity Association member
Understudy for Nurse, Lady Montague, Lady Capulet
Kristian Espiritu
Understudy for Nurse, Lady Montague, Lady Capulet
Kristian Espiritu
(they/she) A.R.T.: Romeo and Juliet. Off-Broadway: Here Lies Love (Ensemble/
Actors’ Equity Association member
Friar Laurence
Terrence Mann
Friar Laurence
Terrence Mann
(he/him) A.R.T.: ExtraOrdinary, Pippin. Broadway: Tuck Everlasting (Outer Critics Circle nomination), Pippin (Tony Award and Outer Critics Circle nominations), Beauty and The Beast (Tony Award nomination), Les Misérables (Tony Award nomination), Finding Neverland, Cats, The Scarlet Pimpernel, The Addams Family, The Rocky Horror Show, A Christmas Carol. Off-Broadway: Only Gold, Jerry Springer – The Opera (Lucille Lortel nomination), Assassins. TV/Film: “Foundation,” “Sense8,” “The Dresden Files,” Mrs. Santa Claus, “As The World Turns” (Emmy Award nomination), A Chorus Line, Critters.
Actors’ Equity Association member
Lady Montague
Abiola Obatolu
Lady Montague
Abiola Obatolu
(she/her) A.R.T.: Debut. National Tour: Odyssey, The Acting Company. Regional: The Color Purple, Broadway at Music Circus Sacramento; This is How You Capture the Light, The Kennedy Center. Education: BFA, Carnegie Mellon. Awards: The Helen Wayne Rauh Award for Excellence in Acting.
Actors’ Equity Association member
Romeo
Rudy Pankow
Romeo
Rudy Pankow
Actors’ Equity Association member
Tybalt
Alex Ross
Tybalt
Alex Ross
(he/him) A.R.T.: Debut. Broadway: The Book of Mormon (Standby Elder Price). National Tour: A Soldier’s Play (Standby Taylor/
Actors’ Equity Association member
Abraham, Peter
Will Savarese
Abraham, Peter
Will Savarese
(he/him) A.R.T.: Debut. National Tour: Frozen (Hans), Hairspray (Link). Educational: Shakespeare’s Troilus and Cressida (Troilus). Education: BFA, Acting, Baldwin Wallace University.
Actors’ Equity Association member
Understudy for Abraham, Peter
Bernardo Sequeira†
Understudy for Abraham, Peter
Bernardo Sequeira†
A.R.T.: Debut. Educational: Heist, Heist, Baby!, Cosmic Relief, The Hasty Pudding Theatricals; In the Heights, Under Control/
Sampson, Apothecary
Adam Shaukat
Sampson, Apothecary
Adam Shaukat
(he/him) A.R.T.: Debut. Regional: Who’s Afraid of Virginia Woolf?, Chautauqua Theater Company. TV/
Actors’ Equity Association member
Mercutio
Clay Singer
Mercutio
Clay Singer
(he/they) A.R.T.: Debut. First National Tour: The Band’s Visit (Itzik). New York: The Last Five Years, Core Theatre Group, AEA LAB. Regional: Fiddler on the Roof (Perchik), The MUNY; Into the Woods (Jack), Barrington Stage; 4000 Miles (Leo), Westport Country Playhouse. Education: BFA, Carnegie Mellon University; London Academy of Music and Dramatic Arts.
Actors’ Equity Association member
Juliet
Emilia Suárez
Juliet
Emilia Suárez
(she/her) A.R.T.: Debut. Regional: Destiny of Desire, The Old Globe; Zero, Ashland New Plays Festival; The Decameron, Quantum Theatre. Workshops/
Actors’ Equity Association member
Understudy for Sampson
Michael Torto†
Understudy for Sampson
Michael Torto†
A.R.T.: Debut. Educational: Twilight: Los Angeles, 1992 (Rodney King, Jessye Norman), Pipeline (Omari), The Brothers Size (Ogun Size), Lincoln Park Theater.
Lady Capulet
Nicole Villamil
Lady Capulet
Nicole Villamil
(she/her) A.R.T.: Debut. Broadway: Network (Sheila). Off-Broadway: Merry Me (Sapph), NYTW; Wolf Play (Robin), Soho Rep; Wolf Play (Robin), MCC Theater; How to Load a Musket (Javier/
Actors’ Equity Association member
Understudies
Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance.
Additional Staff
Access Staff
A.R.T. Staff
Terrie and Bradley Bloom Artistic Director:
Diane Paulus
Executive Director:
Kelvin Dinkins, Jr.
SENIOR STAFF
Director of Facilities and Capital Projects: Peter Atkinson
Public Relations Director: Rebecca Curtiss
General Manager: Connor Davis
Managing Director: Anna Fitzloff
Director of Finance: Julia Goldmacher
Senior Theater and Facilities Manager: Tracy Keene
Producer: Mark Lunsford
Director of Production: Krystin Matsumoto
Director of Artistic Programs & Dramaturg: Ryan McKittrick
Interim Director of Development: Sarah McLellan
Associate Artistic Director: Dayron J. Miles
Chief Marketing Officer: Jennifer Weissman
STAFF
Artistic & EngagementArtistic Coordinator & Special Assistant to the Artistic Director: Karina Cowperthwaite ProducingAssociate Producer: Emma Watt Marketing & CommunicationsAssociate Director, Marketing and Communications: Susanna Jackson DevelopmentAssociate Director, Institutional Giving: Anna Cline FacilitiesAssistant Project Manager: Alex Giorgetti FinanceController: Toufiq Aitelfqih Patron ServicesHead of Patron Services: Emma Putnam |
ProductionProduction Manager: Skip Curtiss ScenicTechnical Director: Jim Bernhardt PaintCharge Scenic Artist: Gerard Vogt Stage OperationsStage Operations Manager: Kevin Belcher CostumesCostume Manager: Muriel Mangual-Bennett WardrobeWardrobe Manager: Alycia Marucci SoundSound Manager: Camilo Atehortua LightingLighting and Projections Supervisor: Matthew Adelman PropertiesProperties Manager: Erin Kehr Production OverhireScenic Overhire: Steven Asaro, Dean Covert, Thomas Eckenfels, Joseph Fanning, Em McGrory, Matthew Kadam, Marty Keslar, Courtney Licata, Aiden Marshall, Ricky Ortiz, Kalika Reece, Eric Schapero, Brian Vlasak, Xavier Vogt, Michelle Walker |
Special Thanks
RoAnn Costin, Ann and Graham Gund, Stephen Greenblatt and Ramie Targoff
Vincent Gerardi, Marlie Kass
Mignone Center for Career Success at Harvard University
Rehearsed at The Public Theater’s Rehearsal Studios, Playwrights Horizons Downtown Rehearsal Studios, and The Huntington Theatre.
Custom set pieces and rental space provided by Arel Studios, NYC.
Automation Equipment provided by Creative Connors.
Additional Lights provided by Christie Lites.
Additional Sound Equipment provided by Sound Associates.
Theatrical Weapons provided by Thomas Schall.
The actors and stage managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States.
† Supported by the Paul M. and Harriet L. Weissman Fellows Fund, administered by Harvard University’s Mignone Center for Career Success.
The director, choreographer, and fight consultant of this production are members of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union.
United Scenic Artists represents the designers and scenic painters for the American Theatre.
Explore
Audience Support Resources
We recognize that our productions may unintentionally activate distressing and/or traumatic memories of past experiences in our audience members These resources are curated by Dr. Charmain Jackman through a culturally responsive and trauma-informed lens.
See Resources
We recognize that our productions may unintentionally activate distressing and/or traumatic memories of past experiences in our audience members These resources are curated by Dr. Charmain Jackman through a culturally responsive and trauma-informed lens.
See Resources