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Ocean Filibuster

Ocean Filibuster

Digital Program
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Artistic Director’s Welcome

Welcome to Ocean Filibuster!

This production grows from a collaboration between A.R.T. and the Harvard University Center for the Environment (HUCE). Several years ago, HUCE Director Dan Schrag approached me, asking how the arts might be able to depict the reality of the climate crisis in ways that speak to the heart and the imagination. We committed to a joint commissioning program, where theater artists would be invited to work directly with HUCE scientists and scholars while creating new pieces about the changing climate.

One of the first teams to participate in this commission series is PearlDamour. The brainchild of playwright Lisa D’Amour and director Katie Pearl, this Obie Award-winning theater company creates spectacular, interdisciplinary works—including previous pieces How to Build a Forest (created with visual artist Shawn Hall) and Lost in the Meadow (premiered in Philadelphia’s Longwood Botanical Garden). Katie and Lisa have fully embraced the opportunity to collaborate with HUCE, engaging in deep conversation with oceanographers, marine biologists, and other researchers during their creative process.

We are thrilled to welcome acclaimed performer Jennifer Kidwell to Cambridge for her A.R.T. debut, performing as both Ocean and Mr. Majority. In the creation of this show, PearlDamour has collaborated closely with composer Sxip Shirey and a team of innovative designers to invite the ocean onstage and into the entire theater. We are also grateful to our community partners on this production. Bow Seat Ocean Awareness Programs, Conservation Law Foundation, and Mass Audubon have all been integral in connecting this show to ongoing efforts to protect the waterways sustaining Boston and the Massachusetts Bay. Learn more about these organizations and their current projects both in the theater’s lobby and during the show’s interactive intermission and in the digital program below.

I’m thrilled you’ve joined us for this world-premiere production that invites us to reimagine our relationship with the ocean.

Diane Paulus, A.R.T. Terrie and Bradley Bloom Artistic Director

American Repertory Theater
Presents

Ocean Filibuster

 

Creative Team

Ocean Filibuster was commissioned and developed through a collaboration with the Harvard University Center for the Environment.
Production support of Ocean Filibuster is provided by Serena and Bill Lese.
Media Support of Ocean Filibuster is provided by WBUR.
First performance at the Loeb Drama Center on February 24, 2022.
American Repertory Theater 2021/22 Programming support is provided by Harvard University, The Barr Foundation, The Bob and Alison Murchison New Work Development Fund, The Shubert Foundation, National Endowment for the Arts, Massachusetts Cultural Council, Bank of America, Barton & Guestier, Meyer Sound, and JetBlue.
A.R.T. 2021/22 Programming is supported in part by the Massachusetts Cultural Council, which receives support from the Commonwealth of Massachusetts and the National Endowment for the Arts.
A.R.T. 2021/22 Programming is dedicated to the memory of Karen Mueller in recognition of her many contributions to the theater.
Runtime: Two hours, including one 15-minute intermission.
Download the Deep Wonder app from the Apple App Store or Google Play to explore the wonders of the deep sea during intermission.
This production contains haze, sudden loud noises, and flashing/moving lights.

Biographies

Cast (in alphabetical order)

Marshall Hughes Headshot

Ocean Choir

Marshall Hughes

Marshall Hughes Headshot

Ocean Choir

Marshall Hughes

A.R.T.: A Midsummer Night’s Dream, Schlemiel the First (Schlemiel, understudy). Marshall was the founder and director of Opera unMet and has led SANS, a choral exchange to the former Soviet Union, China, and the Baltics. With the late Robbie McCauley, he founded Roxbury Repertory Theater, directing award-winning productions including A Soldier’s Story, and produced the critically acclaimed The Glass Menagerie. He was most recently seen in Jessica Ernst’s film Living Landscape (2021) and will appear in Charlotte Meehan’s Everyday Life and Other Odds and Ends at Arts Emerson.

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Jennifer Kidwell Headshot

Ocean/Mr. Majority

Jennifer Kidwell

Jennifer Kidwell Headshot

Ocean/Mr. Majority

Jennifer Kidwell

A.R.T.: Debut. Upcoming projects: Those With Two Clocks, The Blackening. Recent projects: Fat Ham, Antigone, The Wilma Theater; Underground Railroad Game (2017 Obie Award for Best New American Theatre Work, 2018 Edinburgh Fringe First Award, Lucille Lortel, Helen Hayes nominations); Adrienne Truscott’s Still Asking for It, Joe’s Pub; Jaamil Olawole Kosoko’s Syllabus for Black LoveHome (Geoff Sobelle, 2018 Bessie Award for Outstanding Production); Demolishing Everything with Amazing Speed (Dan Hurlin); I Understand Everything Better (David Neumann/advanced beginner group, 2015 Bessie Award for Outstanding Production); Being/With, Nichole Canuso Dance Company; Superterranean; Fire Burns Hot: Little Reno!; I Promised Myself to Live Faster99 Break-Ups, Pig Iron Theatre Company; Dick’s Last Stand (as Donelle Woolford), Whitney Biennial 2014; Zinnias: the Life of Clementine Hunter (Robert Wilson/Toshi Reagon/Dr. Bernice Johnson Reagon). Wilma Theater Associated Artist, co-founder of JACK. Writing published in movement research Performance Journal #45 and at hyperallergic.com. 2020 Visiting Artist Duke University, 2021 Visiting Artist UPenn. 2013 TCG/Fox Resident Actor Fellowship, 2015 Leeway Foundation Art & Change Grant, 2016 Pew Fellow, 2017 Independence Fellowship, 2020 Ruthie Award & Hodder Fund Grant.

Actors’ Equity Association member

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Rachel Share-Sapolsky Headshot

Ocean Choir

Rachel Share-Sapolsky

Rachel Share-Sapolsky Headshot

Ocean Choir

Rachel Share-Sapolsky

A.R.T.: Thumbelina: A Little Musical. Regional: Sweeney Todd, Lowell House Opera; Mamma Mia!, The Muny; Fiddler On The Roof, Hillbarn Theatre; Honey Brown Eyes, San Francisco Playhouse; A Christmas Carol, American Conservatory Theater. Educational performance: H.M.S. Pinafore, The Yeomen of the Guard, Harvard-Radcliffe Gilbert & Sullivan Players (HRG&SP); Chicago, Harvard-Radcliffe Dramatic Club. Workshops: The Wolves, San Francisco Playhouse. Awards: Bay Area Cabaret Teen Idol Finalist. Education: BA, Theater, Dance, & Media, Harvard University (’22).

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Emerson Sieverts Headshot

Ocean Choir

Emerson Sieverts

Emerson Sieverts Headshot

Ocean Choir

Emerson Sieverts

A.R.T.: Debut. Opera: Mila, Great Sorcerer (Man in Black), New York Prototype Festival; Die Zauberflöte (Chorus), Clarion Music Society; Cendrillon (Le Doyen de la Faculté), Utopia Opera; Tosca (Chorus), New York City Opera. Performances with Pomerium, Musica Sacra, Tenet Vocal Artists, The Clarion Choir, American Classical Orchestra Chorus, St. Thomas Fifth Avenue, Amherst Early Music Festival, Ensemble VIII (Austin, TX). Member, Imitation Crab. BA, The College of William & Mary.

Actors’ Equity Association member

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Evan Spigelman Headshot

Ocean Choir

Evan Spigelman

Evan Spigelman Headshot

Ocean Choir

Evan Spigelman

A.R.T.: Debut. Off-Broadway: Taylor Mac’s A 24 Decade History of Popular Music (Dandy Minion), The Faghag and Her Friends in the Summer of Love (Various). Off-Off Broadway/Regional: Mouthbrain, And Tell Sad Stories of the Deaths of Queens (Candy Delaney), The Lily’s Revenge (Lily), The Mutilated (Bruno/Maxie), Creep Cuts. TV/Film: “Creep Cuts in Freeze Response” (co-director, Mx. Asa Metric). Constantly stalking around in drag as Mx Asa Metric. Instagram: @evspig @mxasametric

Actors’ Equity Association member

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Dawn L. Troupe Headshot

Ocean Choir

Dawn L. Troupe

Dawn L. Troupe Headshot

Ocean Choir

Dawn L. Troupe

A.R.T: Moby Dick (Father Mapple/Captain of the Albatross/Captain Boomer/Captain Gardiner). Off-Broadway: Brothers ParaNormal (Delia), Anne of Green Gables (Mrs. Lynde), Year of The Monkey (Igloo), As Much As I Can (Patrice). Regional: black odyssey (Alsendra/Carib’dis/Diana Ross, BATCC nominee), Sister Act (Delores Van Cartier, BATCC nominee), Death of a Salesman (Linda Loman), Spunk (Blues Speak Woman), Aida (Aida), Ragtime (Sarah), Memphis (Emsemble), Color Purple (Shug Avery), Big River (Maid), Once On This Island (Mama Euralie), Caroline or Change (Radio 2). Workshops: Memphis, Little Princess, Funkentine Rapture, The Giver, Rebel Genius, Anne of Green Gables, Moby-Dick.

Actors’ Equity Association member

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Nia Weeks Headshot

Ocean Choir

Nia Weeks

Nia Weeks Headshot

Ocean Choir

Nia Weeks

A.R.T.: Debut. Upcoming: All the Natalie Portmans, Harvard BlackCAST (Community and Student Theater). Nia is a student in Harvard College’s class of 2025, pursuing a joint concentration in Neuroscience and Theater, Dance & Media. 

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Understudies

Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance.

Additional Staff

Special Thanks

Conservation Law Foundation, Bow Seat Ocean Awareness Programs, Massachusetts Audubon Society
James Clem, Peter Girgius, Elizabeth James-Perry, Daniel Schrag
Original sound design concept developed with Mikaal Sulaiman
Additional lighting provided by Christie Lites
Projection equipment provided by Sound Associates, Inc.

 

Actors’ Equity Association 1913The actors and stage managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States.

SDCThe Director and Choreographer of this production are members of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union.

IATSE IA United Scenic Artists Local USA 829United Scenic Artists represents the designers and scenic painters for the American Theatre.

Staff, Boards, & Donors

Staff of the A.R.T. at the virtual meet and greet.

Staff & Boards

People chatting outside an events tent.

A.R.T. Donors

Production Overhire

Scenic Carpenter & Painter: Dawn Morningstar
Scenic Carpenters: Cat Denial, James Groh, Patrick Phillips
Stitchers: Brittany Meehan
First Hand: Rebecca Shannon Butler
Dresser: Rachel Padula-Shufelt
Craft Assistant to Olivera Gajic: Adrianne Williams
Tomopteris Chestpiece custom made by Mio Design Studio
Costume Design Interns to Olivera Gajic: Stella Feldschuh & Lucian Figliulo
Second Assistant Lighting Supervisor: Aja Jackson
Electricians: Kevin Barnett, Anna Brevetti, Matthew Cost, Andie Dudziak, Brittany Trymbulak
Load-in crew: Errick Jersey, Slava Tchoul, James Grohl
Props Artisan: Megan Vaughn

Access

ASL Coach: Shana Gibbs
ASL Interpreter: Tsana Damanin, Janine Sirignano
Primary Describer: Laura Pailler
Secondary Describer: Gamalia Pharms
Relaxed Performance Occupational Therapist: Mary Beth Kadlec
Relaxed Performance Sensory Consultant: Spectrum Theatre Ensemble
Open Captioning: c2

Explore

A massive ocean wave engulfing the dome of the capitol building.

Learn More, Do More

Inspired by the show’s themes of ocean advocacy, the A.R.T. has partnered with several organizations that are leaders in climate advocacy, conservation, and sustainability.

Learn More

Inspired by the show’s themes of ocean advocacy, the A.R.T. has partnered with several organizations that are leaders in climate advocacy, conservation, and sustainability.

Learn More

YDE singing behind the Boston Children’s Chorus in WILD: A Musical Becoming.

A.R.T. Guide

Read more about A.R.T.’s winter programming in the latest issue of the Guide.

Read Now

Read more about A.R.T.’s winter programming in the latest issue of the Guide.

Read Now

About A.R.T.

Actors raise a glass in Natasha, Pierre & The Great Comet of 1812

About Us

Sam Hook, Artemis Wheelock-Wood, and Rachel Myers

Education & Engagement

Pippin Curtain Call at Opening Night

Membership & Support

ASL performers at a show.

Accessibility