A.R.T.: Debut. Yann Martel is a Canadian writer. He is the author of a collection of short stories and four novels, most notably Life of Pi, for which he won the 2002 Man Booker Prize. Writing credits include: The Facts Behind the Helsinki Roccamatios, Self, Life of Pi, Beatrice and Virgil, The High Mountains of Portugal and the non-fiction collection 101 Letters to a Prime Minister: The Complete Letters to Stephen Harper. Martel is presently at work on Son of Nobody, a novel about the Trojan War. He lives in Saskatoon, Saskatchewan, with the writer Alice Kuipers and their four children.

A.R.T.: Debut. Lolita Chakrabarti OBE is an actress and an award-winning playwright. Her debut play Red Velvet opened at the Tricycle Theatre, London, before transferring to St Ann’s Warehouse in New York and then to London’s West End as part of Sir Kenneth Branagh’s inaugural season at The Garrick Theatre. It earned her the Evening Standard Charles Wintour Award for Most Promising Playwright 2012; The Critics’ Circle Award for Most Promising Playwright 2013; AWA for Arts and Culture 2013 and an Olivier Award nomination for Outstanding Achievement in an Affiliate Theatre 2012, as well as many other nominations.

A.R.T.: Debut. Max is an Associate Director at The Donmar Warehouse. As Director, credits include: Henry V, Donmar Warehouse; Antigone, As You Like It, Regent’s Park Open Air Theatre; Dr. Seuss’ The Lorax, Old Vic Theatre/San Diego Old Globe/Minneapolis Children’s Theatre; The Jungle Book, Fiery Angel; Fanny and Alexander, Cover My Tracks, Old Vic Theatre; The Twits, Curve Theatre Leicester; The Winter’s Tale, The Royal Lyceum Theatre Edinburgh; The Sea of Fertility, Mary Stuart, Parco Productions Tokyo; Much Ado About Nothing, Shakespeare’s Globe; Shostakovich’s Hamlet, City of London Sinfonia; Twelfth Night, Regent’s Park Open Air; Orlando, To Kill a Mockingbird, My Young and Foolish Heart, Royal Exchange Manchester; James and the Giant Peach, My Generation, Leeds Playhouse; Carnival Under the Rainbow, Feast Kakulu, Hilton Festival, South Africa; Caucasian Chalk Circle, Aarohan Theatre, Kathmandu. Opera credits include La Bohème, Göteborgsoperan, Sweden; The Merry Widow, English National Opera.

A.R.T.: Debut. Double nominations at the 2012 Olivier Awards: Best Set Design for Back to the Future and Life of Pi (Winner). Tim has designed extensively for The National Theatre, West End and Broadway, and is the winner of two Tony Awards, three Olivier Awards, and four Drama Desk Awards, including the 2012 Olivier Award for Best Set Design for Life of Pi. Recent theatre credits include: Life of Pi, West End; Back to the Future, West End, UK Tour; Dreamgirls, West End, UK Tour; Travesties, Menier, West End,  Broadway; Ghosts, Almeida Theatre, West End, BAM; Little Eyolf, Almeida Theatre; Temple, Donmar Warehouse; Enemy of the People, Pyjama Game, Chichester Festival Theatre; The Slaves of Solitude, Drawing The Line, Hampstead Theatre; Mr. Foote’s Other Leg, Hampstead Theatre, West End; The Bodyguard, West End, International Tours; Shrek, West End, Broadway, UK Tour, US Tour; Spamalot, West End, Broadway, US Tour, Las Vegas; Singin’ in the Rain, My Fair Lady, Théâtre du Châtelet; Carmen, Don Quixote, The Royal Ballet. Film (Production Design): Closer, Notes on a Scandal, Stage Beauty.

A.R.T.: Debut. Finn is a director, designer and performer; he is co-artistic director of Gyre & Gimble, a theatre company specialising in puppetry. For Gyre & Gimble, as Co-Director/Puppet Designer, credits include: The Four Seasons: A Reimagining, Shakespeare’s Globe, Sam Wanamaker Playhouse; The Hartlepool Monkey, UKTour, The Elephantom, National Theatre/West End). As Puppet Co-Designer/Director, credits include: The Wicker Husband, Watermill Theatre; The Grinning Man, Bristol Old Vic/West End; Running Wild, Chichester Festival Theatre/Regent’s Park Open Air Theatre/UK Tour. As Director of Puppetry and Movement, credits include: The Ocean at the End of the Lane (Puppetry Director), National Theatre/West End; Angels in America, National Theatre/Broadway; The Light Princess, National Theatre; War Horse, National Theatre/West End/International Tour; Groundhog Day (Additional Movement), Old Vic, Broadway; Dr. Seuss’ The Lorax and Dr. Seuss’ The Lorax: In Camera, Old Vic; The Bear (Puppetry Director), Pins & Needles; The Tempest, Birmingham Royal Ballet; Alice’s Adventures Underground, Adventures in Wonderland, Les Enfants Terribles; Ariodante, Festival Aix; Dream Space, Shakespeare’s Globe; Rubies in the Attic, Riverside Studios; Shrek: The Musical, West End; Climate, Guildhall Theatre, Tom Thumb, Edinburgh Festival/Tour. As Director, credits include: Ex Machina, National Institute of Dramatic Art, Australia; The First Hippo on the Moon, (Co-Director/Designer), Les Petits Theatre Company, Lardo, Old Red Lion.

A.R.T.: Debut. As Puppetry Designer for Blind Summit: Madame Butterfly, English National Opera, Metropolitan Opera; A Dog’s Heart, English National Opera, Dutch National Opera; Shunkin, Master & Margarita, Complicite; El Gato Con Botas, Tectonic Theatre; On Emotion, Soho Theatre; Faeries, Royal Opera House; His Dark Materials, Birmingam Rep, Leeds Playhouse. As Nick Barnes Puppets: Doctor Dolittle, Music & lyrics Productions; The Lorax, Old Vic; Ariodante, Festival d’Aix-en-Provence/Dutch National Opera; Angels in America (Angel’s wings), National Theatre, Broadway; Running Wild (Associate Designer), Chichester Festival Theatre, Regents Park; David Williams’ The First Hippo on the Moon, Les Enfants Terribles, UK Tour; Mr Poppers Penguins, Kenny Wax Ltd, West End, Broadway; The Little Beasts, The Other Palace; The Jungle Book, Royal & Derngate; Beauty and the Beast, The Butterfly Lion, Chichester Festival Theatre; The Little Prince, Fuel. He has also designed large-scale Firebird and Gnomus puppets for the BBC Proms at the Royal Albert Hall, and in 2012 he co-directed the puppetry in Danny Boyle’s opening ceremony for the London Olympic Games. Education/Training: Hull University (Drama), Slade School of Fine Art (Theatre Design). nickbarnesdesign.co.uk.

A.R.T.: Debut. Finn is a director, designer and performer; he is co-artistic director of Gyre & Gimble, a theatre company specialising in puppetry. For Gyre & Gimble, as Co-Director/Puppet Designer, credits include: The Four Seasons: A Reimagining, Shakespeare’s Globe, Sam Wanamaker Playhouse; The Hartlepool Monkey, UKTour, The Elephantom, National Theatre/West End). As Puppet Co-Designer/Director, credits include: The Wicker Husband, Watermill Theatre; The Grinning Man, Bristol Old Vic/West End; Running Wild, Chichester Festival Theatre/Regent’s Park Open Air Theatre/UK Tour. As Director of Puppetry and Movement, credits include: The Ocean at the End of the Lane (Puppetry Director), National Theatre/West End; Angels in America, National Theatre/Broadway; The Light Princess, National Theatre; War Horse, National Theatre/West End/International Tour; Groundhog Day (Additional Movement), Old Vic, Broadway; Dr. Seuss’ The Lorax and Dr. Seuss’ The Lorax: In Camera, Old Vic; The Bear (Puppetry Director), Pins & Needles; The Tempest, Birmingham Royal Ballet; Alice’s Adventures Underground, Adventures in Wonderland, Les Enfants Terribles; Ariodante, Festival Aix; Dream Space, Shakespeare’s Globe; Rubies in the Attic, Riverside Studios; Shrek: The Musical, West End; Climate, Guildhall Theatre, Tom Thumb, Edinburgh Festival/Tour. As Director, credits include: Ex Machina, National Institute of Dramatic Art, Australia; The First Hippo on the Moon, (Co-Director/Designer), Les Petits Theatre Company, Lardo, Old Red Lion.

A.R.T.: Debut. Theater: Back To The Future, Fiddler On The Roof, Chimerica, Elf, Big, Noises Off, Quiz, Impossible, The Girls, The Go-Between, Close To You, Strangers On A Train, Full Monty, Four Quartets, Impossible, West End; The Crucible, Jack Absolute Flies Again, Under Milk Wood, Anthony & Cleopatra, Salome, Les Blancs, National Theatre; Timon of Athens, The Rover, Candide, All’s Well That Ends Well, Royal Shakespeare Company; A Number, Lungs, The Crucible, Present Laughter, Old Vic. Tim has won two Laurence Olivier Awards.

A.R.T.: Debut. Carolyn Downing is an award-winning sound designer working in theater and across a variety of media, both in the UK and internationally. Theater: The Welkin, Downstate (also at Steppenwolf), Mr Gum and the Dancing Bear – the Musical!, As You Like It, Our Country’s Good, The Motherf*cker with the Hat, Dara, Protest Song, Double Feature, National Theatre; All My Sons, Old Vic; Death Of A Salesman, Young Vic, West End; Summer & Smoke (Olivier Nomination 2019),Chimerica (Olivier Award Best Sound Design 2014), Almeida, West End; Carmen Disruption, Blood Wedding, Almeida; Gypsy, Mother Courage, The Producers, Royal Exchange; The Fantastic Follies of Mrs Rich, Coriolanus, Julius Caesar, Antony and Cleopatra, King John, RSC; White Teeth, Kiln; Me And My Girl, Copenhagen, Fiddler on the Roof, Chichester; A Woman of No Importance, Vaudeville, UK Tour; BLANK, Les Liaisons Dangereuses (also on Broadway), Fathers and Sons, Dimetos, Absurdia, Donmar; The Believers, Beautiful Burnout, Love Song, Frantic Assembly; Hope, The Pass, The Low Road, Choir Boy, Royal Court; All My Sons, Schoenfeld (New York).

A.R.T.: Debut. Andrew is an award-winning classically trained composer & producer and the co-founder with Garry Hughes of the electronica/world music act Bombay Dub Orchestra. Andrew studied piano, clarinet, and composition at the London College of Music under Dr Lloyd Webber and John McCabe. His music often fuses orchestral with folk and traditional elements of music from the project’s region and has scored many films in India including the National award-winning Hamid by Aijaz Khan. Andrew’s company Bohemia Junction Ltd exclusively represents Abbey Road Studios for India as well as the FAMES’ Skopje Studio Orchestra and has provided music services on dozens of films over the last nine years. He is the Director of India’s first ever Composers Lab, which started in 2013 as part of Mumbai Film Festival in association with Abbey Road, PRS for Music UK and supported by BMI. The Olivier Award-nominated music soundtrack to Life of Pi was Andrew’s first foray into scoring for theater, which was followed by Henry V with Kit Harington (Donmar) in 2022 and Butter Arms, a short film for Royal Ballet/Royal Opera House. The soundtrack album to Life of Pi was released in August 2022 on the Bohemia Junction Recording Co. label.

Duncan Stewart CSA/Benton Whitley CSA. A.R.T.: WILD, Moby-Dick,The Black Clown, Great Comet of 1812, The Tempest, Pippin. Broadway/NY: Hadestown (Artios Award), Chicago the Musical, Paradise Square, Rock of Ages, Lightning Thief,Great Comet of 1812, Elf, On the Town, Pippin, La Cage aux Folles, Radio City Christmas Spectacular. TV/Film: Netflix, 20th Century Fox, NBC, Lionsgate, Disney Channel. West End/U.K.: Hadestown, Thriller Live, Menier Chocolate Factory. Tours: Hadestown, Hairspray, Waitress, Charlie & the Chocolate Factory, Finding Neverland, Into the Woods, We Will Rock You. Regional: Berkeley Rep, Alley, Bay Street, For The Record, TUTS, Hollywood Bowl, McCarter, Signature, RCCL. Follow: @stewartwhitley and stewartwhitley.com.

A.R.T.: Debut. Broadway: Indecent, Fun Home, The Glass Menagerie (featuring Sally Field). Broadway National Tour: Hamilton (resident director, Angelica tour), Fun Home. Off-Broadway: Julius Caesar, CSC; Death Cruise, Access Theater; Tommy’s Girls, Primary Stages; The Goree All-Girl String Band, Theater Row. Regional: All of Me, Barrington Stage Company; Fun Home, Cape Rep; Indecent, Huntington Theatre Company, Center Theater Group. Education: BFA, Dramaturgy, The University of Oklahoma.

(she/her/hers) A.R.T: Debut. West End: War Horse, New London Theatre; Life of Pi, Wyndham’s Theatre (Oliver Award for Best Supporting Actor); Pinocchio, National Theatre. Off-West End: The Sorcerer’s Apprentice, Southwark Playhouse; Putting It Together, The Other Palace. Regional: The Wicker Husband, Watermill Theatre; Treasure Island, Stephen Joseph Theatre; Watership Down, Watermill Theatre. UK Tour: The Comedy of Errors, A Midsummer Night’s Dream, Running Wild. International: Cabaret, MAC Theatre. Education: Guildford School of Acting.

A.R.T.: The White Card, Finding Neverland, The Gershwins’ Porgy and Bess. Broadway: Tina – The Turner Musical, The Play That Goes Wrong, The Color Purple (Revival), Finding Neverland, Motown, Pippin, The Gershwins’ Porgy and Bess. Off-Broadway: The Tempest, Richard III, Well, Take Me Out, A Winter’s Tale, Suburbia.

(he/him/his) A.R.T.: Debut. Theater: Life of Pi (Olivier Award, Best Supporting Actor), Wyndham’s Theatre; Ocean at the End of the Lane, National Theatre; Dido and Aeneas, Bodø Concert Hall, Norway; Life of Pi, The Sheffield Crucible Theatre; Peter Pan, Running Wild, Regents Park Open Air Theatre; The Hartlepool Monkey,Running Wild, UK Tour. Film/TV: “Don’t Hug Me I’m Scared;” Jurassic World: Dominion; “The Dark Crystal: Age of Resistance.” Training: Chichester Festival Youth Theatre.

A.R.T.: Debut. Broadway: The Skin of Our Teeth, The Tempest. Off-Broadway: Roundabout Theatre Company, New York Shakespeare Festival, and Lincoln Center Theatre, among others. Regional: Nine Night, Round House Theatre; and leading roles with Pittsburgh City Theater, Shakespeare Theatre Company, Syracuse Stage, Northern Stage, Actors Theatre of Louisville, St. Louis Rep, Cleveland Playhouse, The Old Globe (West Coast premiere of The Whipping Man; San Diego Critics Circle Award and NAACP Theatre Award nominations), PlayMakers Rep, Crossroads Theatre (Regional Tony season), and others. Film/TV: Out and About, “Search Party,” “She’s Gotta Have It,” He Got Game, “Madam Secretary,” “Law & Order” (original and C.I.), and many more. Education: BFA,  The University of North Carolina School of the Arts; MFA, The Academy at STC and the George Washington University. Instagram: @averygoodactor.AveryGlymph.com

(he/him/his) A.R.T.: Debut. Broadway: Cats. Tours: Newsies The Musical, Cathy Rigby is Peter Pan, Cats, Seven Brides for Seven Brothers. NYC: Dave Malloy’s Love Around the Block, 2021 Met Gala. Opera: Turandot (Popolo Acrobat), Met Opera; Pagliacci (Troupe Gymnast), NYC Opera. Regional: Casa Mañana, Chase Brock Experience, Disneyland, La Mirada, MUNY, Pittsburgh CLO, Riverside, Sacramento Music Circus, TUTS. Film: Newsies: The Broadway Musical. Thank you to the entire team of Life of Pi and A.R.T. for this opportunity. Instagram: @andrewwilsonny

(she/her/hers) A.R.T.: Debut. Off-Broadway: tango of a crumbling wall, Teatro LATEA. Regional: A Midsummer Night’s Dream, Catskill Mountain Shakespeare; Twelfth Night, CMS; Radial Gradient, Kennedy Center; Ramaavan, Surati Performing Arts. Workshops: The Gap; The Game of Love. Film/TV: “Orange Is the New Black.” Education: BFA, Musical Theater, University of Miami.

(she/her/hers) A.R.T.: Debut. Regional: Come Fall in Love: The DDLJ Musical, The Old Globe; Atlantis, Virginia Rep; Wedding Singer, The 25th Annual Putnam County Spelling Bee, Peter Pan, Next to Normal. Readings/Workshops: MĀYĀ, Come Fall in Love, Hi My Name is Ben, Picnic at Hanging Rock, In Emily’s Words. Film: Little Boxes. Education: MFA, Boston Conservatory at Berklee School of Music; BA, Santa Clara University. Instagram: @sonyeeahh

(she/her/hers) A.R.T.: Debut. Off-Broadway: Bars and Measures (AUDELCO nominee); Acquittal. Off-West End: Rain and Zoe Save the World. Regional: Othello, Synetic/Kennedy Center (Helen Hayes Award); Barrio Grrrl!, Kennedy Center; Bengal Tiger at the Baghdad Zoo, Round House; Romeo and Juliet, Synetic (Helen Hayes Award). Workshops: Monsoon Wedding; Bak Chang. TV/Film: Silent Partner (Producer, 18 festivals, 8 Awards/Nominations, Oscar-qualified); “That Damn Michael Che” (Recurring), “People You Know” (Series Regular), “FBI,” “The Blacklist,” “Law & Order SVU,” “For Life.” Education: BS, Stanford; SM, MIT; MBA, Harvard Business School. Instagram: @salma.shaw; salmashaw.com

(she/her/hers) A.R.T.: Debut. Theater (India): Shikhandi – The Story of the Inbetweens (Shikhandi; Mahindra Excellence in Theatre Awards (2018) 2018: nomination, Best Actor – Female; Winner – Best Ensemble), NCPA;: 07/07/07 (Reyhaneh Jabbari; Winner – Best Ensemble at META 2016), Prithvi; Naqqaash (Village Women Ensemble); Sundays With Chitra and Chaitali (Chitra), Three Women (Charulata), NCPA; Crumpled (Multiple Characters). TV: “New Amsterdam” (Dr. Narin Sadik), “Inside Edge.” Film: Humpty Sharma Ki Dulhania, Tu Hai Mera Sunday, Specials.

(he/him/his) A.R.T.: Debut. Off-Broadway: Wives, Playwrights Horizons; An Ordinary Muslim, NYTW; India Pale Ale, MTC; The Winter’s Tale, The Public Theater; Two Mile Hollow, WP; Ultimate Beauty Bible, Page73. Regional: Our Town, Portland Center Stage; Hapgood, Williamstown Theatre Festival; The Philadelphia Story, Chautauqua Theater Company. TV/Film: “Little America,” “Succession,” “Kaleidoscope,” “Blindspot,” “Elementary,” “Prodigal Son,” “Two Sentence Horror Stories,” The Whale, Minor Premise, Bikini Moon, Dastaar. Awards: Princess Grace Award (Grace Le Vine Theater Award). Education: MFA, NYU.

(he/him/his) A.R.T.: Debut. Regional: Come Fall in Love, The Old Globe; RENT, Signature Theatre; Legally Blonde, Mamma Mia!, CRT; The Rev Concert, The Rev; The Island of Dr. Moreau,, A Midsummer Night’s Dream, Synetic Theater. Readings: Come Fall in Love, We Are Ameena, In the Light. Film/TV: “WeCrashed,” Wonder Woman 1984, Kringle Time, Heather Has Four Moms. Education: BFA, Musical Theater from Ithaca College. @usman.ali.mughal

(she/her/hers) A.R.T.: Debut. Theater (India): Shikhandi – The Story of the Inbetweens (Shikhandi; Mahindra Excellence in Theatre Awards (2018) 2018: nomination, Best Actor – Female; Winner – Best Ensemble), NCPA;: 07/07/07 (Reyhaneh Jabbari; Winner – Best Ensemble at META 2016), Prithvi; Naqqaash (Village Women Ensemble); Sundays With Chitra and Chaitali (Chitra), Three Women (Charulata), NCPA; Crumpled (Multiple Characters). TV: “New Amsterdam” (Dr. Narin Sadik), “Inside Edge.” Film: Humpty Sharma Ki Dulhania, Tu Hai Mera Sunday, Specials.

(she/her/hers) A.R.T.: Debut. Off-Broadway: tango of a crumbling wall, Teatro LATEA. Regional: A Midsummer Night’s Dream, Catskill Mountain Shakespeare; Twelfth Night, CMS; Radial Gradient, Kennedy Center; Ramaavan, Surati Performing Arts. Workshops: The Gap; The Game of Love. Film/TV: “Orange Is the New Black.” Education: BFA, Musical Theater, University of Miami.

(he/him/his) A.R.T.: Debut. Off-Broadway: Once Upon A (korean) Time, Ma-Yi Theater; Gnit, TFANA; KPOP, Ars Nova; Henry VI, NAATCO; Awake and Sing!, The Public/NAATCO; Somebody’s Daughter, Second Stage; Crane Story, Playwrights Realm. Regional: Kim’s Convenience, Westport Country Playhouse; The Paper Dreams of Harry Chin, Indiana Rep; The Great Wave, Berkeley Rep; Tiger Style!, La Jolla Playhouse. TV/Film: “Billions,” “Hunters,” “City on a Hill,” “Iron Fist,” “The Path,” “Blindspot,” The Amazing Spider-Man 2, Eighth Grade, Saving Face.

(he/him/his) A.R.T.: Debut. Regional: Come Fall in Love, The Old Globe; RENT, Signature Theatre; Legally Blonde, Mamma Mia!, CRT; The Rev Concert, The Rev; The Island of Dr. Moreau,, A Midsummer Night’s Dream, Synetic Theater. Readings: Come Fall in Love, We Are Ameena, In the Light. Film/TV: “WeCrashed,” Wonder Woman 1984, Kringle Time, Heather Has Four Moms. Education: BFA, Musical Theater from Ithaca College. @usman.ali.mughal

(she/her/hers) A.R.T.: Debut. Theater (India): Shikhandi – The Story of the Inbetweens (Shikhandi; Mahindra Excellence in Theatre Awards (2018) 2018: nomination, Best Actor – Female; Winner – Best Ensemble), NCPA;: 07/07/07 (Reyhaneh Jabbari; Winner – Best Ensemble at META 2016), Prithvi; Naqqaash (Village Women Ensemble); Sundays With Chitra and Chaitali (Chitra), Three Women (Charulata), NCPA; Crumpled (Multiple Characters). TV: “New Amsterdam” (Dr. Narin Sadik), “Inside Edge.” Film: Humpty Sharma Ki Dulhania, Tu Hai Mera Sunday, Specials.

(she/her/hers) A.R.T.: Debut. Theater (India): Shikhandi – The Story of the Inbetweens (Shikhandi; Mahindra Excellence in Theatre Awards (2018) 2018: nomination, Best Actor – Female; Winner – Best Ensemble), NCPA;: 07/07/07 (Reyhaneh Jabbari; Winner – Best Ensemble at META 2016), Prithvi; Naqqaash (Village Women Ensemble); Sundays With Chitra and Chaitali (Chitra), Three Women (Charulata), NCPA; Crumpled (Multiple Characters). TV: “New Amsterdam” (Dr. Narin Sadik), “Inside Edge.” Film: Humpty Sharma Ki Dulhania, Tu Hai Mera Sunday, Specials.

(she/her/hers) A.R.T.: Debut. Off-Broadway: tango of a crumbling wall, Teatro LATEA. Regional: A Midsummer Night’s Dream, Catskill Mountain Shakespeare; Twelfth Night, CMS; Radial Gradient, Kennedy Center; Ramaavan, Surati Performing Arts. Workshops: The Gap; The Game of Love. Film/TV: “Orange Is the New Black.” Education: BFA, Musical Theater, University of Miami.

(he/him/his) A.R.T.: Debut. Off-Broadway: Once Upon A (korean) Time, Ma-Yi Theater; Gnit, TFANA; KPOP, Ars Nova; Henry VI, NAATCO; Awake and Sing!, The Public/NAATCO; Somebody’s Daughter, Second Stage; Crane Story, Playwrights Realm. Regional: Kim’s Convenience, Westport Country Playhouse; The Paper Dreams of Harry Chin, Indiana Rep; The Great Wave, Berkeley Rep; Tiger Style!, La Jolla Playhouse. TV/Film: “Billions,” “Hunters,” “City on a Hill,” “Iron Fist,” “The Path,” “Blindspot,” The Amazing Spider-Man 2, Eighth Grade, Saving Face.

(she/her/hers) A.R.T.: Debut. Broadway: A Christmas Carol, Lyceum Theatre; Natasha, Pierre & The Great Comet of 1812 (Chita Rivera Award for Best Ensemble), Imperial Theatre; Matilda the Musical, Shubert Theatre. West End: Parade, Donmar Warehouse; Candide, London Coliseum. Regional: Eureka Day, Asolo Repertory Theatre; A Chorus Line, TUTS Houston. Awards Shows Performances: Tony Awards; Olivier Awards.

(he/him/his) A.R.T.: Debut. Off-Broadway: Once Upon A (korean) Time, Ma-Yi Theater; Gnit, TFANA; KPOP, Ars Nova; Henry VI, NAATCO; Awake and Sing!, The Public/NAATCO; Somebody’s Daughter, Second Stage; Crane Story, Playwrights Realm. Regional: Kim’s Convenience, Westport Country Playhouse; The Paper Dreams of Harry Chin, Indiana Rep; The Great Wave, Berkeley Rep; Tiger Style!, La Jolla Playhouse. TV/Film: “Billions,” “Hunters,” “City on a Hill,” “Iron Fist,” “The Path,” “Blindspot,” The Amazing Spider-Man 2, Eighth Grade, Saving Face.

(he/him/his) A.R.T.: Debut. Theater: Life of Pi (Olivier Award, Best Supporting Actor), Wyndham’s Theatre; Ocean at the End of the Lane, National Theatre; Dido and Aeneas, Bodø Concert Hall, Norway; Life of Pi, The Sheffield Crucible Theatre; Peter Pan, Running Wild, Regents Park Open Air Theatre; The Hartlepool Monkey,Running Wild, UK Tour. Film/TV: “Don’t Hug Me I’m Scared;” Jurassic World: Dominion; “The Dark Crystal: Age of Resistance.” Training: Chichester Festival Youth Theatre.

(he/him/his) A.R.T.: Debut. Regional: Come Fall in Love, The Old Globe; RENT, Signature Theatre; Legally Blonde, Mamma Mia!, CRT; The Rev Concert, The Rev; The Island of Dr. Moreau,, A Midsummer Night’s Dream, Synetic Theater. Readings: Come Fall in Love, We Are Ameena, In the Light. Film/TV: “WeCrashed,” Wonder Woman 1984, Kringle Time, Heather Has Four Moms. Education: BFA, Musical Theater from Ithaca College. @usman.ali.mughal

(he/him/his) A.R.T.: Debut. Off-Broadway: Once Upon A (korean) Time, Ma-Yi Theater; Gnit, TFANA; KPOP, Ars Nova; Henry VI, NAATCO; Awake and Sing!, The Public/NAATCO; Somebody’s Daughter, Second Stage; Crane Story, Playwrights Realm. Regional: Kim’s Convenience, Westport Country Playhouse; The Paper Dreams of Harry Chin, Indiana Rep; The Great Wave, Berkeley Rep; Tiger Style!, La Jolla Playhouse. TV/Film: “Billions,” “Hunters,” “City on a Hill,” “Iron Fist,” “The Path,” “Blindspot,” The Amazing Spider-Man 2, Eighth Grade, Saving Face.

A.R.T: Witness Uganda. Broadway: Tina: The Tina Turner Musical, The Prom, Kinky Boots, Three Tall Women, The Glass Menagerie, Curious Incident…, Romeo & Juliet. National Tour: Mean Girls. Off-Broadway: Hamlet, Twelfth Night, Comedy of Errors, Buzzer, Much Ado About Nothing, The Apple Family Plays, The Public Theater; People, Places & Things, A Streetcar Named Desire, Bianco, St. Ann’s Warehouse. Regional: Miss You Like Hell, La Jolla Playhouse. Film/TV: “The Gilded Age,” tick, tick … BOOM!.

A.R.T.: Debut. Broadway: Tina, The Tina Turner Musical. Tour: Lion King. Off-Broadway: american (tele)visions, New York Theatre Workshop; The Last of the Love Letters, Nomad Motel, Atlantic Theater Company; Snow in Midsummer, Classic Stage Company. Regional: The Two Kids That Blow Shit Up, Artists at Play: 57 Chevy, the Latino Theater Company. Co-founder of The Sống Collective, an initiative that aims to amplify the voices of those from the Vietnamese diaspora. jonathancastanien.com

A.R.T.: Gatsby; Becoming a Man; Life of Pi; 1776; WILD: A Musical Becoming; Jack and the Beanstalk; Gloria: A Life; Moby-Dick; We Live in Cairo; Endlings; Othello; ExtraOrdinary; The Black Clown; Jagged Little Pill; WARHOLCAPOTE; Burn All Night; The Night of the Iguana; Trans Scripts, Part I: The Women; Fingersmith; In the Body of the World; Waitress; O.P.C. Broadway: Mary Stuart. Regional: Vanity Fair, Central Square Theater; New Electric Ballroom, Gloucester Stage Company; Arms and the Man, Guthrie Theatre; The Foreigner, Cabaret, To Kill a Mockingbird, Kansas City Repertory Theatre. As Head of Voice and Speech at A.R.T., Erika also teaches in the Theater, Dance & Media concentration at Harvard as well as coaching public speaking skills across the university. Education: MA, Voice Studies, the Royal Central School of Speech and Drama; MFA, Acting, Brandeis University.

(she/her/hers) A.R.T.: Debut. Theater (India): Shikhandi – The Story of the Inbetweens (Shikhandi; Mahindra Excellence in Theatre Awards (2018) 2018: nomination, Best Actor – Female; Winner – Best Ensemble), NCPA;: 07/07/07 (Reyhaneh Jabbari; Winner – Best Ensemble at META 2016), Prithvi; Naqqaash (Village Women Ensemble); Sundays With Chitra and Chaitali (Chitra), Three Women (Charulata), NCPA; Crumpled (Multiple Characters). TV: “New Amsterdam” (Dr. Narin Sadik), “Inside Edge.” Film: Humpty Sharma Ki Dulhania, Tu Hai Mera Sunday, Specials.