Florence Welch is a vocalist, songwriter and producer best known as the frontwoman of Florence + the Machine. With her band, Florence has released five critically acclaimed albums: 2009’s Lungs; 2011’s Ceremonials; 2015’s How Big, How Blue, How Beautiful; 2018’s High As Hope; and 2022’s Dance Fever. With millions of album sales to her name, Florence has achieved countless Platinum certifications and several #1 albums in the US, UK, and dozens of other territories worldwide. She is a multiple Brit Award-winner and Grammy and Mercury Prize nominee. Useless Magic, Florence’s first book of poetry and drawings, was published with Penguin Random House in 2018 to widespread praise. She continues to tour the world over, headlining festivals and selling out arenas globally.

Thomas Bartlett, also known as Doveman, is an American pianist, producer, and singer. He has released four solo albums as Doveman, four albums as a member of The Gloaming, duo albums with the composer Nico Muhly and the hardanger d’amore player Caoimhín Ó Raghallaigh, and Shelter, an album of solo piano compositions. As a producer, Bartlett has worked with a range of notable artists, including Yoko Ono, St. Vincent, Norah Jones, and many others. “Mystery of Love,” a collaboration with Sufjan Stevens for the soundtrack to Call Me by Your Name, was nominated for an Academy Award for Best Original Song, and a Grammy Award for Best Song Written for Visual Media. Bebel Gilberto’s Agora, produced, engineered and mixed by Bartlett, was nominated for Best Global Music Album at the 2021 Grammys, and he also contributed to Taylor Swift’s evermore, and Rufus Wainwright’s Unfollow the Rules, both nominated that year. Since 2018, Bartlett has worked closely with Florence + the Machine.

Florence Welch is a vocalist, songwriter and producer best known as the frontwoman of Florence + the Machine. With her band, Florence has released five critically acclaimed albums: 2009’s Lungs; 2011’s Ceremonials; 2015’s How Big, How Blue, How Beautiful; 2018’s High As Hope; and 2022’s Dance Fever. With millions of album sales to her name, Florence has achieved countless Platinum certifications and several #1 albums in the US, UK, and dozens of other territories worldwide. She is a multiple Brit Award-winner and Grammy and Mercury Prize nominee. Useless Magic, Florence’s first book of poetry and drawings, was published with Penguin Random House in 2018 to widespread praise. She continues to tour the world over, headlining festivals and selling out arenas globally.

Martyna Majok was born in Bytom, Poland and raised in Jersey and Chicago. She was awarded the 2018 Pulitzer Prize for Drama for her Broadway debut play, Cost of Living, which was nominated for the Tony Award for Best Play. Other plays include Sanctuary City, Queens, and Ironbound, which have been produced across American and international stages. Other awards include a Guggenheim Fellowship, The Steinberg Playwright Award, Arthur Miller Foundation Legacy Award, The Obie Award for Playwriting, The Hull-Warriner Award, The Academy of Arts and Letters’ Benjamin Hadley Danks Award for Exceptional Playwriting, The Sun Valley Playwrights Residency Award, Off Broadway Alliance Best New Play Award, The Lucille Lortel Award for Outstanding New Play, The Hermitage Greenfield Prize, as the first female recipient in drama, The Champions of Change Award from the NYC Mayor’s Office, The Francesca Primus Prize, two Jane Chambers Playwriting Awards,

A.R.T.: Debut. Broadway: Amélie; Spider-Man: Turn Off the Dark; Spring Awakening; The Light in the Piazza; Caroline, or Change; The Full Monty; You’re A Good Man, Charlie Brown; Twelfth Night. Off-Broadway: The Fortress of Solitude, Here Lies Love, Coraline, Mother Courage and Her Children, Two Gentlemen of Verona, Songs from an Unmade Bed, The Immigrant, Radiant Baby, Twelfth Night. Regional: My Life Is a Fairy Tale, Orphan of Zhao, Lincoln Center Festival; Telaio: Desdemona, The Lion, The Unicorn and Me, Washington National Opera.

Thomas Bartlett, also known as Doveman, is an American pianist, producer, and singer. He has released four solo albums as Doveman, four albums as a member of The Gloaming, duo albums with the composer Nico Muhly and the hardanger d’amore player Caoimhín Ó Raghallaigh, and Shelter, an album of solo piano compositions. As a producer, Bartlett has worked with a range of notable artists, including Yoko Ono, St. Vincent, Norah Jones, and many others. “Mystery of Love,” a collaboration with Sufjan Stevens for the soundtrack to Call Me by Your Name, was nominated for an Academy Award for Best Original Song, and a Grammy Award for Best Song Written for Visual Media. Bebel Gilberto’s Agora, produced, engineered and mixed by Bartlett, was nominated for Best Global Music Album at the 2021 Grammys, and he also contributed to Taylor Swift’s evermore, and Rufus Wainwright’s Unfollow the Rules, both nominated that year. Since 2018, Bartlett has worked closely with Florence + the Machine.

Sally Herbert is a celebrated composer, writer, producer and arranger who, over the past 25 years, has worked with some of the biggest names in music, including the likes of Radiohead,  Mumford & Sons, Ed Sheeran, Usher, Camilla Cabello, Woodkid and London Grammar.  She has created string and brass arrangements on all five of Florence & the Machine’s albums , and recently wrote orchestral arrangements for Rufus Wainwright’ s ‘Want 1 +2 symphonic performances, which debuted at The Albert Hall BBC proms last year. Sally’s arrangements range in instrumentation from strings, brass and vocals to full orchestras and span across genres. Sally has also worked with producers Nick Patrick and Don Reedman on posthumous albums for the likes of The Beach Boys, Roy Orbison, Elvis Presley and Disney Classics with her arrangements performed by the The Royal Philharmonic Orchestra conducted by Sally herself. Notably last year, Sally conducted the London Symphony Orchestra for Floating Points’ Mercury shortlisted album Promises. As a composer, Sally  has written music for cinematic trailers, TV and film. Her credits include Disney’s Beauty & The Beast, Rogue One: A Star Wars Story and The Dark Tower.

Sonya Tayeh is a Tony Award-winning choreographer and director. Selected credits include: Moulin Rouge!, Broadway, Australia, UK, US Tour, Korea, Germany; “UPHERE” musical television series, Hulu; Sing Street, Huntington Theatre; The Sign in Sydney Brustein’s Window, BAM Harvey Theater; Martha Graham Dance Company, Joyce Theater, World Tour; What Becomes of Love? dance film, American Ballet Theatre; Unveiling with Moses Sumney and dancers, Fall for Dance; “Rent: Live,” FOX; Hundred Days, New York Theatre Workshop; The Lucky Ones, ArsNova; The Skin of Our Teeth, Theatre for a New Audience; Kung Fu, Signature Theatre. Tayeh has directed and choreographed for world renowned music artists including Miley Cyrus (The Gypsy Heart Tour); Florence + the Machine (“The Brit Awards,” “The Voice,” and “American Idol”); Kyle Minogue (Aphrodite World Tour). www.SonyaTayeh.com

Rachel Chavkin is a director, writer and artistic director of Brooklyn-based experimental collective the TEAM, whose work has been seen all over New York, the US, and internationally (including festivals across Europe, Australia, and the Hong Kong Arts Festival), and whose consensus-driven writing process was the subject of a feature length documentary by Emmy Winner Paulette Douglas. She won the Tony Award for her work on Hadestown (NYTW, National Theatre, London), which has been one of her greatest joys. She is a three-time Obie Winner, and received Tony and Lortel nominations and a Drama Desk Award for Dave Malloy’s Natasha, Pierre & The Great Comet of 1812 (Broadway, Ars Nova, A.R.T.). London: Mission Drift, National Theatre; American Clock, Old Vic. Select New York and regional: Marco Ramirez’s The Royale (Obie Award, Drama Desk, and Lortel noms.), LCT; Malloy’s Preludes, LCT3; Bess Wohl’s Small Mouth Sounds, Ars Nova, national tour; Carson Kreitzer’s and Matt Gould’s Lempicka, Williamstown Theatre Festival, La Jolla Playhouse; The Royal Family, Guthrie Theater; and multiple collaborations with Taylor Mac.

A.R.T.: Moby-Dick; Natasha, Pierre & The Great Comet of 1812; The Communist Dracula Pageant. Broadway: Uncle Vanya; Sweeney Todd; True West; Natasha, Pierre & The Great Comet of 1812 (Tony Award). Off-Broadway: Fairview, An Octoroon, Soho Rep/TFANA; A 24-Decade History of Popular Music, St. Ann’s Warehouse. Opera: Grounded, Washington National Opera; Intelligence, Houston Grand Opera; Antony and Cleopatra, San Francisco Opera; Parsifal, Bayreuth Festival; Die Zauberflöte, Staatsoper Berlin. Awards: Drama Desk, Lortel, Bessie, Hewes Design Award, Obie Award, MacArthur Fellowship.

A.R.T.: Debut. Film: Caravaggio, The Young Victoria, The Aviator, Shakespeare in Love (Academy Awards); Carol, Cinderella, Hugo, Mrs Henderson Presents, Gangs of New York, The Wings of the Dove, Orlando, The Irishman (Academy Award nominations); The Young Victoria, Velvet Goldmine (BAFTA Awards); The Favourite, Mary Poppins Returns (Academy Award nominations, Costume Designers Guild Award and nomination, Critics’ Choice nominations, BIFA); The Glorias, Living, Disney’s Snow White. Other Awards: Costume Designers Guild Career Achievement Award, London Film Critics’ Circle Dilys Powell Award for Excellence in Film, Officer of the Order of the British Empire, first Costume Designer to be awarded the BAFTA Fellowship. Education: London’s Central School of Art.

A.R.T.: Twilight: Los Angeles, 1992. Broadway: The Testament of Mary. West End: Harry Clarke. Off-Broadway: Sally & Tom, The Public; The Hot Wing King, Fires in the Mirror (Lortel nomination), Twilight: Los Angeles, 1992, Signature; Harry Clarke (Lortel Award), Vineyard; Kill Move Paradise (Drama Desk nomination), National Black Theatre. Regional: Sally & Tom, Guthrie; Lights Out: Nat King Cole, Paradise Blue, Geffen Playhouse. Education: MFA, Yale School of Drama.

A.R.T.: Debut. West End: My Neighbour Totoro (Olivier Award, Best Sound Design), Next to Normal, Get Up Stand Up! The Bob Marley Musical. Off-West End: Two Strangers (Carry A Cake Across New York), Newsies, Spring Awakening, Lazarus. UK Tour: Greatest Days, Beautiful: The Carole King Musical. International: Disney’s Aida. Awards: WhatsOnStage Award for Best Sound Design (My Neighbour Totoro); 2019 and 2021 Black British Theatre Awards (BBTA) Light and Sound Recognition Award.

A.R.T.: Debut. Broadway: The Mother Play, Paradise Square (Drama Desk Nominee), Birthday Candles, Flying Over Sunset, Bernhardt/Hamlet, The Sound Inside. Off-Broadway: The Gardens of Anuncia, LCT; Dear World, NYCC Encores!; Suffs, The Visitor, The Public; Merrily We Roll Along, Roundabout; Othello, NYSF. National Tour: Jitney. Regional: The Far Country, Yale Rep; A Transparent Musical, Center Theatre Group. Television: “The Marvelous Mrs Maisel,” (Emmy Nominee).

A.R.T.: Debut. Broadway: Moulin Rouge! The Musical; Caroline, or Change, Roundabout. Off-Broadway: The Connecter, MCC; Nutcracker Rouge, Cocktail Magique, Seven Sins, Queen of Hearts, Company XIV. International: Moulin Rouge! The Musical, West End, Australia, Germany, Korea, Japan. Makeup Consultant: Doppelganger, Hamlet/Oresteia, Upload, Park Avenue Armory; unEarth, NY Philharmonic; Richard III, Public Theater, SITP; Oratorio for Living Things, Ars Nova; King Lear, National Black Theatre. Faculty member, Juilliard School Drama Division; guest lecturer, Juilliard Dance Division, NYU Graduate Acting dept.

Jeanie O’Hare is a writer, dramaturg and creative producer. She collaborates on books for musicals, edits classical texts and writes original plays. She was Director of New Work Development at the Public Theater in New York, and Chair of Playwriting at Yale School of Drama. She trained at the Royal Court Theatre and worked as Company Dramaturg for the Royal Shakespeare Company where her work included Michael Boyd’s Histories, and over thirty large-scale productions by writers such as Tarell Alvin McCraney, David Adjmi, debbie tucker green, and Ukrainian writer Natal’ya Vorozhbit. She commissioned and developed Matilda the Musical. In 2018, her play Queen Margaret, premiered at the Royal Exchange, Manchester, rescuing Queen Margaret from four Shakespeare history plays and creating a single drama. She is a published short story writer. Current Projects in development as story consultant include Gatsby (musical), composed by Florence Welch & Thomas Bartlett with a book by Martyna Majok. She is a regular judge on major playwriting prize juries. She is the co-author, with Elizabeth Freestone, of 100 Plays to Save the World a collection of essays detailing the current climate science alongside dramas that tackle the climate emergency.

(Nissy/she/ze/we) A.R.T.: Debut. Off-Broadway: JORDANS, Public Theater; Bernarda’s Daughters, National Black Theatre, The New Group; shadow/land, Public Theater; AMANI, National Black Theatre, Rattlestick Theater; sandblasted, Vineyard Theatre, WP; SEMBLANCE, New York Theatre Workshop. Off-Off Broadway: TJ Loves Sally 4 Ever, JACK. International: Nova, Pemberley Productions, Royal Lyceum Theatre.

A.R.T.: Debut. Broadway: The Great Gatsby, POTUS, Ain’t No Mo’, Merrily We Roll Along. Off-Broadway: How to Defend Yourself, On Sugarland, NYTW; the bandaged place, Roundabout; The Harder They Come, Merry Wives, Romeo y Julieta, Public Theater. Regional: The Great Gatsby, Paper Mill Playhouse; NOIR, Alley Theatre; Vietgone, The Royale, Geva Theatre. Awards: Two Drama Desk Award nominations. Resident Intimacy Director at Oregon Shakespeare Festival. www.RocioMendez.com

A.R.T.: Debut. Broadway: The Lightning Thief: The Percy Jackson Musical, Girl from the North Country, Amélie. National tours: The Lightning Thief: The Percy Jackson Musical, Girl from the North Country. Off-Broadway: Whisper House, The Civilians; The Lucky Ones, The Wildness, Ars Nova; Preludes, LCT3; Girl from the North Country, First Daughter Suite, The Fortress of Solitude, The Public Theater. Regional: Amélie, Center Theatre Group, Berkeley Repertory Theatre; Prelude to a Kiss, South Coast Repertory; The Abominables, Children’s Theatre Company. Music supervisor, orchestrator, and co-producer for the Michael Friedman Recording Project, which released 10 albums of the late composer’s songs. For Mom and Dad, always.

A.R.T.: Debut. Broadway/International: Moulin Rouge! The Musical, Groundhog Day. Off-Broadway: Sherlock Carol (Assistant Director). Regional: Sing Street, The Huntington; Peter and The Starcatcher, White Heron Theatre. National Tour: Hamilton, Matilda. Educational: Forget Me Not, Manhattan School of Music.

A.R.T.: Moby-Dick. Broadway: Hadestown. Off-Broadway: TERCE: a practical breviary, Here Arts; Will You Come with Me?, PlayCo; Oratorio for Living Things, Ars Nova. Off-Off-Broadway: To the Ends of the Earth, JACK; Self-Combustion of a 30-Something-Year-Old…, New Ohio; Kyk Hoe Skyn die Son, Clubbed Thumb Winterworks; queen, Dixon Place. Regional: Drama League Fellow 2021/2022; Clubbed Thumb Directing Fellow 2020/2021.

150+ productions across the globe and 13 Artios Awards for Casting. Broadway/NY past and present productions include: Life of Pi; Chicago; Disney’s The Lion King and Beauty and the Beast; Hadestown; Lost in Yonkers; Natasha, Pierre & The Great Comet of 1812; Christmas Spectacular starring the Radio City Rockettes; The 39 Steps; Pippin; La Cage aux Folles. TV/Film: Netflix, 20th Century Fox, NBC, Lionsgate, Disney Channel. West End/UK: Hadestown, Thriller Live, Menier Chocolate Factory. Tours: 1776, Hairspray, Waitress, Urinetown, Charlie & the Chocolate Factory, Finding Neverland, Into the Woods, We Will Rock You. Regional: A.R.T., Berkeley Rep, Alley, Bay Street, Goodspeed, Hollywood Bowl, McCarter, Signature. ARC, Part of RWS Global.

A.R.T.: Debut. Broadway: Sweeney Todd: The Demon Barber of Fleet Street, Cirque du Soleil’s Paramour, Disaster!, Bonnie and Clyde, Wit, La Cage aux Folles. Off-Broadway: Himself and Nora, Minetta Lane Theatre; The New York Idea, Atlantic Theater Company. Regional: Lempicka, La Jolla Playhouse; Cutman, Goodspeed Musicals. National Tours: Wicked, Once, Sister Act, The Addams Family. Education: BA, Theatre, University of Colorado at Boulder; Professional Apprentice Program, The Juilliard School.

A.R.T.: Debut. Broadway: Merrily We Roll Along; Sweeney Todd; SIX; Macbeth; Caroline, or Change; Slave Play; Hadestown; Gary; Six Degrees of Separation; The Cherry Orchard. Off-Broadway: Merrily We Roll Along, Slave Play, Light Shining in Buckinghamshire, Hadestown, NYTW; An Enemy of the People, Park Avenue Armory; Octet, Signature; Rags Parkland Sings the Songs of the Future, Ars Nova; Reconstructing, Primer for a Failed Superpower, the TEAM. Select Regional: The Color Purple, MUNY. Education: BA, SUNY New Paltz.

A.R.T.: Debut. Broadway: Into the Woods, Carousel. National Tour: Into the Woods, My Fair Lady, The King and I. Regional: West Side Story (Tony Standby), The King and I (Lun Tha), Lyric Opera of Chicago; Oklahoma! (Curly), Theatre Under the Stars; A Little Night Music (Frid), Huntington Theatre Company; Sweeney Todd (Anthony), Lyric Stage Company of Boston. Concerts: Grant Park Music Festival, Millennium Park, Chicago. Education: BFA, Musical Theatre, Emerson College.

A.R.T.: Debut. National Tour: Les Misérables (Marius), The Band’s Visit (Telephone Guy). Regional: In The Heights (Usnavi), Pittsburgh Civic Light Opera. TV: “The Late Late Show with James Corden,” “Rise,” “Broadway or Bust.” Education: BFA, Musical Theater, Carnegie Mellon.

A.R.T.: Debut. New York: Christmas Spectacular featuring the Radio City Rockettes (Mrs. Claus). Regional: Mamma Mia! (Sophie Sheridan), Lake Tahoe Shakespeare Festival; Much Ado About Nothing (Hero), Great Lakes Theater; The Secret Garden (Martha), New London Barn Playhouse. Concerts: South Pacific. Education: BM, Music Theatre, Baldwin Wallace University.

A.R.T.: Debut. Off-Broadway: Only Gold, MCC Theater. Regional: The Wizard of Oz, The MUNY. Concerts: Eleri Ward Acoustic Sondheim, Joe’s Pub, Sony Hall; The Tender Tour, National Tour (headliner); Josh Groban’s Harmony Tour, National Tour (opener); WTF Cabaret, Williamstown Theatre Festival; Miscast, MCC Theater. Workshops: What’s Eating Gilbert Grape; La La Land; The Night Falls. Education: Berklee College of Music; BFA, Musical Theater with Emphasis in Songwriting and Acting, The Boston Conservatory.

A.R.T.: Debut. Broadway: Casa Valentina. Tour: Waitress. Off-Broadway: Hit the Wall. Regional: Sunday in the Park with George, CCAE Theatricals; Hood, Dallas Theater Center; A Sign of the Times, Goodspeed; Into the Woods, TUTS; Bridges of Madison County, Williamstown. Workshop: American Psycho. TV/Film: Starring Jerry as Himself, The Outcasts, “Red Oaks,” “The Americans,” “NCIS: New Orleans,” “Criminal Minds,” “Bull,” “Little America,” “Party of Five,” “The Get Down.” Education: BFA, Drama, UNCSA.

A.R.T.: Debut. Broadway: Once Upon a One More Time. National Tour: Hamilton. Off-Broadway: Only Gold, MCC Theater. Regional: West Side Story (Riff), Milwaukee Rep; Hairspray, Dallas Theater Center; Newsies, Connecticut Rep. Concerts: Phish NYE at MSG. Education: BFA, Texas State.

A.R.T.: Debut. New York: Christmas Spectacular featuring the Radio City Rockettes (Mrs. Claus). Regional: Mamma Mia! (Sophie Sheridan), Lake Tahoe Shakespeare Festival; Much Ado About Nothing (Hero), Great Lakes Theater; The Secret Garden (Martha), New London Barn Playhouse. Concerts: South Pacific. Education: BM, Music Theatre, Baldwin Wallace University.

A.R.T.: Debut. National Tour: Hamilton (Ensemble). TV/Film: “Perfect Selfie,” Vivo; Bichota. Education: BFA, Dance Theatre, American Musical and Dramatic Academy.

A.R.T.: Debut. Broadway: Here Lies Love, Broadway Theatre; Hadestown (Fate, u/s Persephone), Walter Kerr Theatre; Allegiance, Longacre Theatre. National Tour: Hadestown. Select Regional: Here Lies Love, Seattle Repertory Theatre; South Pacific, Maltz Jupiter Theatre, Cape Playhouse, Music Theatre Wichita; The Hunchback of Notre Dame, Mamma Mia!, Little Shop of Horrors, Footloose, Fulton Theatre; Seussical, The Muny; Spring Awakening, Hangar Theatre. Education: BFA, University of Michigan.

A.R.T.: Debut. Regional: The Great Gatsby, Paper Mill Playhouse. TV: “East New York,” “Up Here.” Education: BFA, Musical Theatre, University of Michigan.

A.R.T.: Debut. Broadway: Casa Valentina. Tour: Waitress. Off-Broadway: Hit the Wall. Regional: Sunday in the Park with George, CCAE Theatricals; Hood, Dallas Theater Center; A Sign of the Times, Goodspeed; Into the Woods, TUTS; Bridges of Madison County, Williamstown. Workshop: American Psycho. TV/Film: Starring Jerry as Himself, The Outcasts, “Red Oaks,” “The Americans,” “NCIS: New Orleans,” “Criminal Minds,” “Bull,” “Little America,” “Party of Five,” “The Get Down.” Education: BFA, Drama, UNCSA.

A.R.T.: Debut. Broadway: Moulin Rouge! The Musical. National Tour: Hamilton, Matilda the Musical, In the Heights. Regional: Chicago, North Shore Music Theatre; In the Heights, Geva Theatre, Pittsburgh Civic Light Opera. Dance: The Chase Brock Experience. TV: “Saturday Night Live.” Education: BFA, Dance, Marymount Manhattan College.

A.R.T.: Moby-Dick. Regional: Cashed Out (Buddy Paul), San Francisco Playhouse; The River Bride (Señor Costa), Alter Theater; El Paso Blue (Hefe), Eugene O’Neill Foundation; Joseph and the Amazing Technicolor Dreamcoat (Reuben), Grease (Vince Fontaine), Damn Yankees (Smokey), AMTSJ; A Funny Thing… Forum (Miles Gloriosus), West Side Story (Action), Mountain Play. Concerts: Excerpts from Moby-Dick In Concert Under the Whale, American Museum of Natural History/A.R.T. Workshops: The Gift, Moby-Dick, Requiem for Kivalina.

(he/him) A.R.T.: Real Women Have Curves. Off-Broadway: As You Like It (Touchstone), Delacorte Theater. Regional: Living and Breathing, Two River Theater; HAIR, Destiny of Desire, Twelfth Night, The Old Globe; Disney’s Freaky Friday, La Jolla Playhouse; Quixote Nuevo, Denver Center; Lookingglass Alice, Baltimore Center Stage; Man of La Mancha, Barrington Stage. TV: “Instinct,” “FBI,” CBS. Education/Training: MFA, USD/Old Globe; BFA, Boston Conservatory.

A.R.T.: Debut. Broadway: Moulin Rouge! The Musical (Swing, Dance Captain, Associate Choreographer). Off-Broadway: The Lucky Ones, The Connelly Theater (Ensemble, Dance Captain). TV: “Rent: Live,” “The Gilded Age.” Dance: Freemove Dance’s ..it’s time.., Sonya Tayeh Dance’s you’ll still call me by name. Education: BFA, Dance, Marymount Manhattan College.

A.R.T.: Debut. Broadway: Moulin Rouge! The Musical. National Tour: Hamilton, Matilda the Musical, In the Heights. Regional: Chicago, North Shore Music Theatre; In the Heights, Geva Theatre, Pittsburgh Civic Light Opera. Dance: The Chase Brock Experience. TV: “Saturday Night Live.” Education: BFA, Dance, Marymount Manhattan College.

A.R.T.: Debut. Broadway: The Lightning Thief: The Percy Jackson Musical, Girl from the North Country, Amélie. National tours: The Lightning Thief: The Percy Jackson Musical, Girl from the North Country. Off-Broadway: Whisper House, The Civilians; The Lucky Ones, The Wildness, Ars Nova; Preludes, LCT3; Girl from the North Country, First Daughter Suite, The Fortress of Solitude, The Public Theater. Regional: Amélie, Center Theatre Group, Berkeley Repertory Theatre; Prelude to a Kiss, South Coast Repertory; The Abominables, Children’s Theatre Company. Music supervisor, orchestrator, and co-producer for the Michael Friedman Recording Project, which released 10 albums of the late composer’s songs. For Mom and Dad, always.

A.R.T.: Debut. Broadway: Kimberly Akimbo, Booth Theatre; SIX, Lena Horne Theatre. Off-Broadway: Kimberly Akimbo, Atlantic Theater Company; Soft Power, The Public Theater; Working, Promenade, Road Show, Encores! Off-Center. Education/Training: BM, Vocal Performance, Boston University.

A.R.T.: Real Women Have Curves, Miss You Like Hell. Boston Musicians Union. Performances with orchestras at Ogunquit Playhouse, Company One, Lyric Stage, Umbrella Arts Center, SpeakEasy Stage. Education: Berklee College of Music; St. Stephen’s College, Delhi University.

A.R.T.: Evita. Concertmaster of the El Paso Symphony Orchestra; member of the Boston Philharmonic Orchestra; violinist with Castle of Our Skins; violinist with Aurea Ensemble. Performances with Boston Ballet Orchestra, Portland Symphony Orchestra, Rhode Island Philharmonic, Boston Modern Orchestra Project, Odyssey Opera, Teatro Nuovo. Training/Education: BM, New England Conservatory of Music; attended Tanglewood Music Center, Heifetz International Music Institute, Brevard Music Center, Green Mountain Chamber Music Festival.

A.R.T.: 1776; Moby-Dick; Jagged Little Pill. Broadway: A Beautiful Noise, Broadhurst Theatre; 1776, American Airlines Theatre. Off-Broadway: Christmas Spectacular, Radio City Music Hall; Assassins; Assembly. Tours: onstage featured violinist with Hip Hop Nutcracker, Jethro Tull, Alicia Keys, H.E.R., Ben Harper, Gloria Estefan, Steven Tyler, Dave Stewart (Eurythmics). Recordings: H.E.R., K. Michelle, Wyclef Jean. TV: “Shine A Light: A 9/11 Tribute,” CNN; “BET Awards;” “Good Morning America;” “The View;” “Latin Grammys.” Performances with Boston Ballet, Philharmonic Orchestra of the Americas. Education: MM and BM, New England Conservatory of Music.

A.R.T.: Real Women Have Curves, Evita, 1776. Broadway: 1776. Performances with Handel and Haydn Society, Juventas New Music Ensemble, Glissando Concert Series, A Far Cry, Emmanuel Music, Boston Baroque, Skylark Vocal Ensemble, Palaver Strings, Boston Festival Orchestra, and ChamberQUEER. Frequent contributor for PARMA Recordings. Education: MM, New England Conservatory; BM, University of Michigan.

(she/her) A.R.T.: Evita, 1776, Moby-Dick. Broadway: 1776. Performances with Spoleto Festival USA, Rhode Island Philharmonic, Vermont Symphony, New Bedford Symphony, Richmond Symphony (VA), South Dakota Symphony, Audra MacDonald, “62nd Grammy Awards” with Lizzo. Education: MM, Boston University; BM, University of Michigan.

A.R.T.: 1776, Evita. Member: Iris Ochestra, New Bedford Symphony, Boston Philharmonic, Triton Brass Quintet. Performances with Boston Symphony, Boston Ballet, Boston Modern Orchestra Project, Odyssey Opera, Rhode Island Philharmonic, Portland Symphony Orchestra. Education/Training: GPD and BM, Boston Conservatory; Tanglewood Music Center.

A.R.T.: Debut. Member: Boston Modern Orchestra Project, Odyssey Opera, Emmanuel Music, Vermont’s Juno Orchestra. Performances with Boston Ballet, Boston Chamber Music Society, Chameleon Arts Ensemble, and Trinity College’s (CT) Summer Music Series. Featured on the labels BMOP/sound and PARMA Recordings. Education: BM, New England Conservatory; Artist Dipoma, Longy School of Music of Bard College.

A.R.T.: Debut. National Tour: Jesus Christ Superstar 50th Anniversary. Regional: The Lehman Trilogy, Huntington Theatre, Repertory Theatre of St. Louis (St. Louis Theatre Circle Awards for Outstanding Ensemble in a Drama); The Band’s Visit, Huntington Theatre; Beautiful: The Carole King Musical, Ogunquit Playhouse.

A.R.T.: Natasha, Pierre & The Great Comet of 1812; Evita. Performances with Boston Symphony, Boston Symphony Chamber Players, Boston Pops, Boston Lyric Opera, Boston Ballet, Rhode Island Philharmonic, Rochester Philharmonic, Albany Symphony, Portland Symphony, Vermont Symphony, Hartford Symphony, New World Symphony. Education/Training: MM, New England Conservatory; BM, Boston University; Tanglewood Music Center.

A.R.T.: Real Women Have Curves, Moby-Dick, We Live in Cairo, Jagged Little Pill, Pippin, Johnny Baseball. Broadway: Over 100 shows including Hamilton, The Book of Mormon, Kinky Boots, Dear Evan Hansen, In the Heights, Spamalot (2023 revival), How to Dance in Ohio, Harmony, Merrily We Roll Along (2023 revival), Gutenberg, Sweeney Todd (2022 revival), Some Like It Hot, A Beautiful Noise, Ain’t Too Proud, Into the Woods (2022 revival), Elf, Grey Gardens, 9 to 5, American Idiot, Rock of Ages, SpongeBob SquarePants, Anastasia, Almost Famous, Girl from the North County, Summer, Frozen. TV: keyboardist for “Sesame Street,” “The Electric Company.” Education: Oberlin Conservatory.

A.R.T.: Real Women Have Curves, Evita, 1776. Broadway: 1776. Performances with Handel and Haydn Society, Juventas New Music Ensemble, Glissando Concert Series, A Far Cry, Emmanuel Music, Boston Baroque, Skylark Vocal Ensemble, Palaver Strings, Boston Festival Orchestra, and ChamberQUEER. Frequent contributor for PARMA Recordings. Education: MM, New England Conservatory; BM, University of Michigan.

A.R.T.: Evita; 1776; Moby-Dick; We Live in Cairo; Jagged Little Pill; The Black Clown; Natasha, Pierre & The Great Comet of 1812; Crossing. Founding Member, A Far Cry; Principal Viola, Boston Baroque; period viola with Handel and Haydn Society, Trinity Baroque Orchestra, The English Concert, ACRONYM Ensemble, The Thirteen, Seattle and Portland Baroque Orchestras, Teatro Nuovo, Opera Lafayette, Relic, Sarasa Ensemble. Carnegie Hall Fellow and Peabody Singapore Fellow. Tours of Europe, Asia, Kazakhstan, and the Kyrgyz Republic. Performances with Pink Martini, Jake Shimabukuro, Itzhak Perlman, Yo-Yo Ma, Renée Fleming, Kiri Te Kanawa, members of the Florestan Trio, and Æolus, Brentano, Cleveland, Emerson, Mendelssohn and St. Lawrence String Quartets. Concerts at Vienna Musikverein, Singapore Esplanade, the Kennedy Center, and Carnegie Hall. Awards: Grammy nominee (Best Chamber Music/Small Ensemble Performance). Director of Chamber Music Lab, Rivers School Conservatory.

(he/him) A.R.T.: Real Women Have Curves. Broadway: A Beautiful Noise: The Neil Diamond Musical (Copyist/Music Assistant), Broadhurst Theatre. Regional: Macbeth In Stride (Associate Music Director), Shakespeare Theatre Company/Philadelphia Theatre Company; The Wanderer (Music Assistant), Paper Mill Playhouse; Theatre Now’s Sound Bites X, Brooklyn Children’s Theatre. He is a composer in the BMI Lehman Engel Musical Theatre Workshop.

A.R.T.: Bedlam’s Sense & Sensibility. Broadway: Amazing Grace, Finding Neverland, IF/THEN. National Tours: Fun Home, IF/THEN. Off-Broadway: Doctor Faustus, Classic Stage Company; Dying For It, Atlantic; Much Ado About Nothing, Talley’s Folly, Roundabout; GIANT, Into The Woods, Love’s Labor’s Lost, Public Theater; Far From Heaven, Playwrights Horizons; Killers and Other Family, Rattlestick Playwrights Theater; The Bad Guys, Second Stage Uptown. Education: Barnard College.

A.R.T.: Real Women Have Curves, Evita, The Donkey Show. Regional: K-I-S-S-I-N-G, Huntington Theatre Company/The Front Porch Arts Collective; The Inheritance, The View Upstairs, Once, SpeakEasy Stage; Queens Girl in The World, Central Square Theater/The Front Porch Arts Collective/Hangar Theatre; Pipeline, Central Square Theater/WAM Theatre; Bright Half Life, Macbeth, Equivocation, Hamlet, The Winter’s Tale, Actors’ Shakespeare Project; La Cage Aux Folles, The Sound of Music, The Music Man, Reagle Music Theatre; The Wolves, Orlando, Lyric Stage; A Christmas Carol, Saturday Night Fever, North Shore Music Theatre. Ballet: The Nutcracker, Boston Ballet.

A.R.T.: Debut. Broadway: Moulin Rouge! The Musical (Swing, Dance Captain, Associate Choreographer). Off-Broadway: The Lucky Ones, The Connelly Theater (Ensemble, Dance Captain). TV: “Rent: Live,” “The Gilded Age.” Dance: Freemove Dance’s ..it’s time.., Sonya Tayeh Dance’s you’ll still call me by name. Education: BFA, Dance, Marymount Manhattan College.

A.R.T.: Debut. Broadway: Kiss Me Kate, Tootsie, Hello Dolly!, In Transit, She Loves Me, Time and The Conways, Death of A Salesman, Betrayal (Associate). Off-Broadway/Regional: Princess Ivona, Mutant Olive, You’re a Good Man Charlie Brown, Peter Pan, Footloose, Mary Poppins, and Sophisticated Ladies. TV/Film: “The Marvelous Mrs. Maisel,” “Gossip Girl,” MTV, “Spirited,” Oceans 8. Additional work with Battery Dance, Debbie Allen Dance, Spectrum Dance Theater, The Guthrie Theater, 5th Avenue Theater, Tom Ford, Brooks Brothers, CFDA, Estee Lauder, Hugo Boss and the MET Museum. Member United Scenic Artists Local 829. Work around the world including Canada, China, Dominican Republic, England, Ireland, India, Italy, Mexico, and Poland.

A.R.T.: Gatsby, Evita, 1776. Broadway: 1776, Back to the Future, DMC. Regional Theater: Evita, Shakespeare Theatre Company; Joy, George Street Playhouse. Dance: Season ALD, Boston Ballet; Nutcracker, RI Ballet; Harbor, ICA. Education: BFA, Boston University.

A.R.T.: Real Women Have Curves, Evita, The Donkey Show. Regional: K-I-S-S-I-N-G, Huntington Theatre Company/The Front Porch Arts Collective; The Inheritance, The View Upstairs, Once, SpeakEasy Stage; Queens Girl in The World, Central Square Theater/The Front Porch Arts Collective/Hangar Theatre; Pipeline, Central Square Theater/WAM Theatre; Bright Half Life, Macbeth, Equivocation, Hamlet, The Winter’s Tale, Actors’ Shakespeare Project; La Cage Aux Folles, The Sound of Music, The Music Man, Reagle Music Theatre; The Wolves, Orlando, Lyric Stage; A Christmas Carol, Saturday Night Fever, North Shore Music Theatre. Ballet: The Nutcracker, Boston Ballet.